When I saw the fifth episode of the first season of this movie, I planned to abandon the drama, because I felt that the prelude was too long. I have already figured out the approximate story frame and the ending of the story, just like there was a movie "Labyrinth" last year. , I think this drama has similar routines. The weak find that they can’t do this, then awaken, and finally become the strong. Of course, the only difference is the story process, which makes me feel dull. The only support for watching it is the foreshadowing of a few places. . First: From the front part of the film, it can be seen that an old man entered the Western World and killed him. No one stopped him. Who is he? He has been emphasizing that he is looking for something, what is he looking for? Second: It is reasonable to say that the heroine is the main line. What is the relationship between her and the elderly? Who is the heroine? elder? Or is there someone else? Third: Why do the engineers who repair the robots in the film have a lot of pictures and storylines?
Seeing the previous part, I think the plot is based on the small story, that is, the small loop to promote the big loop. It develops layer by layer, using flashbacks, but in the middle, the plot is a little messy, which disrupts my guess. That's why the audience said that the story is not easy to understand, and only after seeing the last episode did they realize that it was completely different from what I thought. It is reasonable but outside the reason.
When I saw that the old man was the young William in the film, I realized that this is one side of recollection and when the other side is happening, it is necessary to separate the storyline of r into two parts. One part is that the heroine is self-awakening and self-remembering from the beginning, and of course to the end At the end of the film, I couldn’t see the robot awakening at all. This is a testament to the Ford engineer who said when looking at the painting: Human wisdom is originally given by God. .) Explain that the robot's "awakening" was originally given by Ford. Ford has always felt that he is the god of this western world, and it is estimated that this is the biggest foreshadowing for the second season.
This also overturned my previous conjecture, which was beyond my expectation. The story is not a small cycle that promotes the big cycle, but the overall big cycle to poke the story inside the small cycle layer by layer.
I have to say that the author of this film is very NB. Although the prelude is a bit procrastinated, it is this procrastination that makes the audience think that the robot is really slowly awakening itself, waiting to see the robot revenge against the human. Ford finally said: There was no instruction this time. Is there really no one instructed? The old bustard's self-awakening is the fuse for Ford's next story. She is convinced that she has begun to awaken, but it is just another plot that Ford has set for her. The story has just begun. Human beings are not aware of their mistakes and human beings have not awakened. Besides, human beings still created you?
It has to be said that this movie is a theme that is eternal and that domestic dramas dare not publicize: human instinct and humanity.
Old William said that his wife in the Western World was known by his real wife, which proved that the Western World was not impervious. He was reflecting on himself, and at the same time using his own words to say that in the real world, most People have their own "Western World" in their hearts. They don't want to be discovered or spied, and they think that what they show is the most real.
I have two questions at the end of the film: I hope the great god can help answer them. First: Why did Westworld open in the end? If according to the film, William bought Westworld for the heroine, but when the heroine recalls that it is the young William, it proves that Westworld has opened, and it was Arnold who put the heroine in After merging with the biggest villain the old William had been looking for in the story, it happened after the heroine shot everyone. Arnold said: You can revive all the receptionists but you can't revive me. This is Arnold's original intention, because all robots are fundamentally created by Arnold, and Ford cannot accept Arnold's ideas. In the end, it was because William bought West World that it was a bit far-fetched. At the beginning of the story, when William and his partner appeared in the villain's area, William's partner also said that they almost couldn't open the garden at that time.
Second: According to the film, all robots have their own storyline in an infinite loop. Why was no one noticed when the old bustards painted their portraits? Some people would say that this is an improvisation allowed by robots. It stands to reason that engineers outside the Western World can see the robot's every move? Why didn't anyone suggest that it was the old Ford deliberately? To pave the way for the second part is still a big bug in the whole article. Obviously the board of directors does not advocate Ford to continue. Why is the robot's awakening undetected, or the old Ford's tricks?
Third: There is a lot of description in the story that the robot made by the old Ford himself is his father and himself as a child. Why? What is the purpose of this? Highlight his purpose for doing this or the author's redundant plot?
Fourth: The final ending Old William tells the new story to kick off a new prelude. Is the heroine really awakened or is the program rewritten by Old Ford?
Well, in general, this film is worth watching. It goes beyond the conventional narrative methods. It just requires the audience to waste their brains and divide the film into two parts. This is not a small story to develop a big story, but a big story. short story.
It is hoped that most human beings can see their own "Western World" and awaken themselves.
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