Romantic peach in the bone

This is the best one in the romance film that CE has ever played. It may be because of the work that Taozi directed by herself, so she found a feeling suitable for her interpretation, and she also obviously brought her true character but not too funny and active (his other romance films are a bit too lively, obviously comedy The exaggerated feeling of love, this one is too comfortable). By the way, what I have always liked is the peach look of peaches. I didn’t expect that the kiwi look in this film has already fallen to the kiwi party (probably because I really like this hairstyle). Tao Yi’s profile, simple trousers, leather shoes, shirt and tie, reveals her perfect figure (long legs are very charming, long legs kill me...) Then she puts on a knitted jacket, layering and matching, low-key tide Ah, I want to give 10,000 likes to the costume designer for this film (it really looks so good with it). The hostess is also simple and comfortable, without heavy makeup. The slim dark green long coat and black suede boots faintly reveal the slender legs. After taking off the coat, she is also ready to look good. The two protagonists stand together to match their faces, even their height matches just right.
For the feeling of the movie, I feel the same with Du Niang when I watched it. I also feel that there are some shadows of the "Love in" series, so I really enjoy and feel comfortable watching this film. I like the conversation between them, and sometimes you choke each other. Many of Taozi’s lines are completely malicious (I can’t help making people want to kiss him), and the moment of time machine is about love. The hostess said she didn’t believe it and then shared her stupid and cute things. Taozi is really straightforward. Saying he believed it, this second silly, and then buying lottery tickets or something, laughed at me to death. The last time machine was more focused on the expression of emotions, and I felt a pity that I couldn't tell when I looked at it. Under the same realistic appearance, the two protagonists in the film experienced more dramatic events, and the stories behind them were more tortuous. This is more enjoyable, but the style is reduced. I didn’t even guess the final direction. I saw the heroine encourage Tao to be brave again. I thought it would be because the two people found their respective destinations and finally parted ways. Then I found that it was not. I saw that I went to the psychic. The heroine’s letter was I can't cut it off, I think it was fate that made her end all that she was with Tao, the hotel's ambiguous feelings, and the graffiti of each other's portraits. . . But it is not. At the end of the end... the main female returned to her husband to face all that, leaving Tao Zi alone, leaving a little suspense in the final turn over... The encounter is beautiful, together is beautiful, but the separation is more beautiful.
The romantic peach in her bones is still a realistic choice with a little regretful ending, so let's take the aftertaste of this wonderful one-night trip. Such a terrible ending. The day I met you was the worst and best day of my life. [And Taozi, liking you is the happiest and most painful thing in my life, right]

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