The overall feeling of this film is to chase "Love Before Dawn". I also like the first part of the Love in the series the most. From the natural flirtation of the two to attract each other, strolling through the streets at midnight, A group of chattering romances, but in the end they did not completely pierce the layer of paper, leaving the end of the Japanese Defense Minister. And this Before We Go is roughly the same structure. After the encounter of strangers, after constant speculation and frank conversation, the two have a good feeling, but reason overcomes the impulse of passion, so that a midnight encounter did not evolve into 419. And what was written behind the last turn over, from Brook's expression, we can boldly predict that this will be the case.
The scene at the beginning of the film at the Central Station, from near to far, from ordinary people in the station to the slightly empty hall of the station, it gives the impression of a bustling station, and most people are still alienated from each other. Meeting and parting, every moment. CE is really not like playing the trumpet. Street performances always make me a little awkward. I don't know why. The female protagonist appeared in a whirlwind and broke the tranquility for a moment. Nick offered to help. After being rejected for the first time, he did not give up. He appeared in time like a hero to save the beauty and protected the female protagonist from another robbery. Afterwards, I thought , Maybe at this time Nick is already in a good mood, what you are not my type behind is just trying to cover up.
Everything that happened after that was as Nick said, a little adventure. What’s amazing is that the lines that I find interesting and funny seem to belong to the heroine, such as the fake name Carrie that was casually spoken. For example, I silently corrected it hundreds of times and finally blurted out to correct Nick’s grammar. I couldn’t dislike the heroine. It’s kind of Be alert, a little naive, and very clever. In contrast, I think when CE plays the role of Nick, does he have image scruples, hold it a little, and have no blind spots at any time, except for individual talks about emotional failures, he will feel sad, and almost always at other times. The state of being familiar with the love scene, the smile and the casual raising of eyebrows make people feel that it doesn't fit well with Nick, who is frustrated in love and hesitated in his career. Fortunately, the overall tone of the film is a comedy romance, not a literary romance like the Aizai series, so even if I feel that the role is slightly distorted, I am always happy and content to watch it.
The unfinished kiss in the hotel room was just a moment, which came to an abrupt end, and the subsequent meeting made this evening more memorable for the two of them. In the taxi going to the station, it was obvious that each was feeling unwilling to give up, but due to embarrassment, they couldn't express themselves and didn't know how to speak. So the time machine reappeared. The stalk of this time machine was not submerged by countless jokes in the previous film. It was very heartfelt. Thanks to this easy prop with a little joke, the two had a heartfelt complaint and gave each other one. The complete parting kiss, complete. (Brook told the "past" Nick not to pay the credit card bill, which meant that he cherished the encounter that night~) In the
plot, I would feel a little bit out of focus in the middle of the episode due to the need to explain that the two of them were in a different emotional quagmire. Space is limited and there are too many things. The music of this film is well selected, and I hereby propose Song For Zula sung by Phosphorescent. The first time I listened to this song, it was the current ending credit of the movie. After that, it has been in the playlist most frequently listened to on mobile phones, and the second time it is An Zhu In the Amazing Spider-Man 2 with Sister Stone, this is the third time I heard it in the movie. As soon as the prelude to this song came out, I really didn’t want to fall in love with you! (A single dog tortured to death...)
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