Renee Witherspoon, this once pure pink pretty girl turned into both red and purple with a single shot from the law, and then began to play well in movies of all sizes.
Meryl Streep, old drama, there is nothing to say. These two women are also famous for their unique vision and know how to choose dramas. This drama is no exception. The tenacity and fragility of the little woman, and the fierceness of the big woman, are both accurate and vivid.
The wife, who has a big belly, is running and begging for her husband, and she seems to fit China's Wangfushi complex. In fact, there is not much inscription on her, and it is not very comprehensive. It seems to be a symbol of concatenation and sensationalism.
In fact, all the characters in the film have a heavy emphasis on the scenes, they seem to be similar, and everyone is very exciting. They all face the problem of choice, except for the big belly. Her child is about to be born, she has to find a husband, she has no choice. The film style with a cooler color set the tone for the whole film. Calm, thinking, the camera is steady and bold, there is a kind of scrutiny of the incident. It allows us to discover that that exotic country is not just the magnificent colors, seductive belly dances, unprovoked explosions, inexplicable disappearances, personal imprisonment, and inhuman torture. I don’t know if it’s an American film, but their films still have a sense of superiority, even with no vague political inclination. I don't say so in the first half, and the unexpected turn of the 3/4 of the film is even more so.
Fortunately, going further back turned out to be a chain burden. American directors have always been good at scrutinizing and criticizing his government. In this post-9/11 period, through the fear of the Americans, the fear of the American government, their cautiousness, and even nothingness, the huge impact on ordinary families and ordinary people in this country is still Aroused strong resonance and thinking.
The religious and ethnic issues in North and South Africa are entangled between two loving young couples. The plot of Anwar being abused to extract a confession is truly shocking. As an Egyptian, even after living in the United States for 20 years, he is still an outsider. His college classmates reservedly said "I don't know him". He lives in a country on which value creation depends, and he has reservations about him. Even his wife is not sure whether there is really something that has caused misfortune in his young and unknown years.
There is a scene in the film that is very impressive. In the same dark night, everyone in each bed could not sleep peacefully. Every family, every lover or partner, turns out to be "under the cover of the nest, there is no end to the eggs."
I checked the dictionary. The title Rendition means "translation, interpretation". Naturally, I remembered the legend of Tongtian Pagoda. As soon as human beings were born, they said the same thing, but the result was too powerful. So God messed up their language, communication became difficult since then, and suspicion and fear flooded from it. People are busy with conflicts and wars in the world, and they will never threaten the sky again...
Even with this explanation, I still don't really understand why racial issues always lead to mutual vendettas. What kind of depression can lead to such fanaticism, such sacrifice of possible happiness, such recklessness of life.
Can the power of faith itself bring such dangerous explosive power? Is this noble or narrow? Still, it's still like the title. People and people, nations and nations, cannot understand each other, so it is naturally difficult to trust. All these questions may be due to not understanding. Just like our fear, it also comes from this.
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