The result seems to be the final word for whether the previous circling, confusion and many other factors make sense. The result also determines the different details of the same plot, the different direction of the story, and the different emotional tendencies of the two films.
The reversal of the 96 version's ending, even the reversal itself, is surprising enough. The 04 version's ending happens to be a supplement to it, showing us what the end of another road is, and another road that seems better. There is no good or bad, but the latter lacks a bit of flavor.
What is the smell? It is not the guilt, entanglement, anxiety and tolerance of the saboteur, but the free and easy of the saboteur. If you have already lost your mind, you can let it go even if happiness seems to be in front of you. When you can't let it go, it's often not love, it's just obsession.
Changes in the types of male and female protagonists have also led to changes in the temperament of the film. The predecessor of the modern city is the suspenseful tension and poetic romance about love itself. The story is outside the main line, and actually contains five loves. There are main and secondary, multiple perspectives, and the complicated process is reflected in the fragmented time powder box.
The 04 version of the male protagonist "turns out the chaos anyway", lifts the fog and breaks the obstacles, making love outside the main line appear pale and fragile in front of the main line, and a rose blooms in the world. The intricateness of the 96th edition is not only the plot, but the emotional lines are also intertwined in every way, and the desire to discern and fascinate is just like the taste of love itself.
Could it be that in the old age that we believe is stable and beautiful, single-minded, love turned out to be tangled and helplessly returned to the mortal world, and in the modern society that we believe is lack of patience and constant emotion, love is the end of the yearning, so contradictory NS?
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