When the people on the shore were looking forward to and welcoming the soldiers landing, the director used the Lenovo montage to cut the close-up of the red flag flying in the air from the warship, symbolizing the righteous regime. The same image symbolizes the rule of the Tsar through the lens of the swan. In the section of "Odessa Stairs", the masses originally welcomed the arrival of the rule of the Tsar, but the soldiers cruelly hurt the people. The crowd, expressing the despair of the masses towards the rule of the Tsar and the tragedy of the rule of the Tsar. In the section of "Odessa Stairs", two plot points appeared. The first one was the death of a small boy At that time, when the second relative who pushed the baby was killed, the conflict between the shadows was intensified and the boy was killed. When the boy was killed, the lens first gave the close shot of the relative, and then many cruel scenes appeared. The close-up of, focusing on the attention of the audience, reflects the tsar’s rape, and then a small panoramic view of the fleeing group, and then a super close-up of the frightened eye, this kind of tight switching of the camera scene, this delay The technique is different from the concept of the “Tower Structure of Characters” that gradually transitioned from the Geffis scene. It speeds up the narrative rhythm of the film. When the lens cuts to the lens of the inexperienced child rubbing his eyes, The camera then cuts to the scene where his relatives were killed, and through the use of montages, the cruelty of the czarist rule is even more demonstrated. The shadow montage and the segment montage are also used to speed up the filming. The narrative rhythm has narrowed the distance between the audience and the screen.In this film, Eisenstein pushed the early montage to the top.I think this is the reason for the greatness of the film ``Battleship Pojang''.
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