go to the fuck, don't say anything, the montage is too inflammatory, especially the two sections of the dead man on the deck and the steps of Odessa. Therefore, anyone who wants the audience to lower their intelligence and follow the carnival must develop montages. Today's Hollywood is the same. But Tarkovsky, like the anti-montage, focused on developing long shots, so he was incompatible with the system and had to go to a foreign country. The principle is here
like three sleeping, awake, and leaping stone lions implying the "people's" counterattack, and the movie is full of similar incitement. "Odessa Ladder" was originally a lie, and then used montages to magnify the lie ten thousand times, which is essentially the case. The ending is a big joke: the Black Sea Fleet joined the Potemkin uprising. The fact is that the Potemkin surrendered under the white flag by force.
In addition, I have always wondered how ugly and ugly Russian politics and hegemony are, but their intellectuals are as respectable as they are respectable. Haven't understood why?
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