Have the potential for cool drama but shoot a constipation groove. The last two episodes are directly below the pass line.
Specifically, for example, one second before John’s marriage, John looked like an innocent virgin because he couldn’t marry a prostitute, and he looked distressed. After a second, he was betrothed to Lee’s family by his brother without warning, and he did not harmlessly make a fuss. After smiling, he happily enjoys his married life
Another example is the terrible affair between the sheriff and the heroine who have been complained about by countless people. At the beginning, when the daughter hadn't made a lot of preparations and had not experienced life and death together, suddenly he...proposed? ! She glanced at the hostess, she didn’t seem to be surprised at all, good guys, all the surprises are left to the audience, right?
Then there is the revenge of the heroine in the first few episodes. It seems that she is full of hatred for IRA. After meeting the hero, my old father completely doesn't want to say it. I don't want to revive the original anger and the hero's affection. The pulse disappeared? WHAT THE ACTUAL FUCK LADY Your enemy is an IRA and you have a relationship with the hero, I suspect you are a fake hate
What humiliated my IQ most was the "battle" between Kimber and Shelby. At the very moment, a young woman out of blue with a baby jumped to the center of the battlefield and shouted peace and love. Then there was no more? ! What kind of brain-dead script is this really
Others such as freddie suddenly pointed a gun at Tommy’s eldest brother’s adoration of his father. Tommy is far more than the setting of the sheriff naive. The male protagonist can’t guess that the female protagonist is a spy, etc. They have been pointed out too many times and will not repeat.
In short, logically incoherent characters are set up at will, resulting in no sense of substitution at all, and the collapse of the overall narrative is the reason for the two stars.
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