In the film, the perverted murderer is not to be feared, on the contrary he is worthy of sympathy. The Iranian female director Maja Shatapi tells this cruel story in a comedic way. The monologue interpretation from the heart of the patient is sweet and beautiful. The sense of substitution of this perspective cleverly avoided the horror and cruelty brought about by the killing, on the contrary, it was more able to experience the loneliness under the abnormal expression. The result is that we can hardly hate the male protagonist, but pity him for the suffering caused by his loneliness.
Such is the charm of genre films. Changing a story mode that has been repeated thousands of times and cutting in, immediately presents a completely different result. On the one hand, it still makes people feel familiar, on the other hand, it leads the audience toward it. The ending is different from the past, and in the end will be deeply moved by that uniqueness, or be shocked severely.
In fact, everyone can't escape loneliness. We are fortunate that we did not fall into the abyss for this, but we also have a trace of impulse and resonance like the hero, beauty and ugliness, fantasy and reality. We can really distinguish the geometry. This is what the film hides. The chill under the comedy.
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