I don’t like the hero’s personality

Elmira 2021-12-21 08:01:28

I have already watched the spoilers of the 2018 remake, thinking about whether the original story of the rich lady and the poor boy looks better (the 2018 version may only be the reason why I watched the video introduction by the film critic , There is no empathy for the protagonists) As a result, the old version looks unpleasant

Heroine

Bad personality caused by spoiling, acrimonious, bad-mouthing people behind their backs, because they don't give labor money because they don't agree with their wishes. The negative image is well formed, and if I were to be like this (referring to where the hostess thinks that expensive wood should be used for granted), I would be so angry that I would be deducted from my wages.

The shortcomings in the later period were all corrected, and even so quickly I could adapt to the environment, and the home was organized in an orderly manner. The most important thing is that a few children no longer feel inferior because of her excellent education. It can be seen that the heroine is a very good woman in addition to a bad personality, as long as she wants to do it.

The hostess seems to have participated in Metamorphosis, changed her appearance, and grew up pretty well

The male protagonist...Because I know that the protagonist must be portrayed as annoying in the early stage of the plot, in order to make the male protagonist's deception look'as it should' or to make the audience feel that the "contrast" Into emotions.

However, emmmm shaped by the plot...

First of all, for a working person, can he lie down on a recliner in his employer’s room and eat snacks in his dirty clothes? If I were an employer, I wouldn’t be able to give him a good face. The male protagonist didn’t realize that he was in a private space. If it was to express the male protagonist’s personality and informality, I can only say that this character made me successful. I hate it, and then regain some sympathy points for the child's lack of time (to make money).

But when he tried to do something to the female protagonist (the male protagonist knew that the female protagonist had a husband), I had no good feelings. Although he did not continue, if the male protagonist is joking, I can only say nothing. Funny and vulgar (maybe it’s not a big deal in a foreign country, it’s just that I’m very uncomfortable). I’m just a dick, but I’m a good person because I can’t like it. The male protagonist is better than the original husband of the female protagonist. So how can something better than shit be better?

The hero hasn’t seen any growth from the beginning to the end.

The later plot discovery is barely reasonable, (although I think the heroine’s change is a bit sudden) The most speechless thing is the ending, because just a few months of love and family affection, the heroine gave up the previous In the circle of life, turned into a snail girl? ?

Okay, Samsung’s part of the rival scenes for male and female protagonists and children, male and female protagonists and sons has reduced my disgust to a certain extent.

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Extended Reading
  • Shannon 2022-03-27 09:01:10

    Every Bai Fumei with amnesia is a good girl

  • Hattie 2022-04-23 07:02:35

    I watched it when I was a child, and I was very moved at that time, especially when the two of them jumped off the boat and swam past each other. Later, I can't find this movie again. . I've watched it over and over again recently. Although it's cliché, it's really interesting!

Overboard quotes

  • Grant Stayton: [in bed, aboard the yacht] Joanna, I want you tonight - How can you have your period every week?

    Joanna Stayton/Annie Proffitt: [Grant is glued to "Lifestyles of the Rich and Famous"] Must you watch that thing incessantly?

    Grant Stayton: Yes, I must. It has a tawdry, escapist quality that soothes my nerves.

    Joanna Stayton/Annie Proffitt: What you have to escape from, I can't possibly imagine

    [notices she's not wearing her wedding ring]

    Joanna Stayton/Annie Proffitt: Grant, I left my wedding ring on the deck.

    Grant Stayton: Well, what can I do?

    Joanna Stayton/Annie Proffitt: Go and get it.

    Grant Stayton: It's after midnight.

    Joanna Stayton/Annie Proffitt: I don't care what time it is. I want it now.

    Grant Stayton: I just want to see who's in the top ten yachts.

    Joanna Stayton/Annie Proffitt: [sighs in disgust] I'll get it!

    Grant Stayton: Okay.

    [continues watching TV as Joanna leaves to get her ring]

  • Joanna Stayton/Annie Proffitt: [Grant has just arrived at the hospital; Joanna doesn't know he's right outside, behind a one-way mirror] You mean to tell me that I have no medical recourse...?

    Grant Stayton: Can she see us?

    Cop at Hospital: Not unless she's Superwoman.

    Joanna Stayton/Annie Proffitt: Well, what DO you know? Extend your brain a teensy little bit, if possible!

    Doctor at Hospital: You seem to be suffering from a temporary amnesia, either from the bump against the garbage scow, or the shock of the cold water.

    Joanna Stayton/Annie Proffitt: How temporary is it?

    Doctor at Hospital: We don't know. Other than that, you seem to be in excellent physical shape.

    Joanna Stayton/Annie Proffitt: Listen to me, medical people. As of now, I have a life history of a dirty garbage scow and a breakfast of extremely runny eggs over-easy. Now, I refuse - REFUSE

    [angrily tosses a cup against the wall]

    Joanna Stayton/Annie Proffitt: - to be incarcerated in this semi-private room -

    [turns to the only other patient in the room]

    Joanna Stayton/Annie Proffitt: You snore! - while there are no efforts being made by anyone to try and locate...!

    Cop at Hospital: [lowers the outside speaker volume, then turns to Grant] Is that her?

    Joanna Stayton/Annie Proffitt: I demand you do something! Do you hear me?

    Grant Stayton: [to the cop] Nooo, I never saw her before in my life.

    [leaves the hospital; later, back on the yacht]

    Grant Stayton: Mrs. Stayton has decided to leave me. Let's celebrate!