The 16th #法罗岛电影节# The 5th screening day of the unknowing section will bring you "Victoria". Below, please see the evaluation of the woman who wanders on the front line in the exotic night.
Cuckoo:
The bluff of the West Berlin gangsters.
Fruit trees:
I admire such an authentic look at the end, and the degree of completion is still so high.
Xavier-resistant to watching movies:
1 star for the script, 1 star for the photography, 1 star for the female protagonist, and 1 star for the self who regretted so many years after retiring because of the slow pace of the first half.
Spy Liu:
After reading it, I found out that it was in the end. The front is too slow, but the rhythm at the back is not bad. The logic and self-consistency of the story are too weak, like a few fools. I was going to give it one star, but I added one star for the sake of seeing the bottom line.
Psychedelic Muffins:
A mirror is really dazzling in the end. I don’t have subtitles to watch, and I can only understand English like the heroine, and I feel very substitute. But it's just an ordinary story with a cool shell. The leading actress and piano are both good. The people who watched the whole movie were very tired, the actors were very tired, the photographer was very tired from running, the director's control ability and nervousness made me feel even more tired.
No thoughts or no thoughts:
Sublimation in the second half! The front rhythm is too slow. If it's not for the end, I want to see how the lens moves, and I'm almost drowsy. It’s a little exciting, without hesitation, coupled with a little hormonal sprouting, anyway, you can’t be a pianist, so it’s better to play a bank robbery. The kind of desperate drive to the unknown, everyone will take the bait! This night, these two hours, everything is different again.
Her Majesty:
Bjork jumps back home, encounters fake Joaquin and fake French shark on the way;
Smoking and drinking in the street, talking nonsense to each other;
I thought it was a matter of stalling, but the girls played a lot;
The boys died and left the money, just to go back to their hometown in Spain.
psychopath.MN:
The degree of completion in form is quite high, and the rhythmic control is just right. Perhaps the one-shot form makes the logical narrative of the story and the motivation of the characters ambiguous, but I have to say that the two-and-a-half-hour story really made me sink into it. The image style and emotional expression have largely convinced me. I. In fact, doing many things may not require too many reasons, too many things and emotions cannot be explained. Come to think of it, there are many surprises in such an unusual night in Victoria's life, and most of them are powerless, but perhaps it is also the most suitable form of mirroring to the end.
Hot cocoa with salt:
The whole film seems to be one shot to the end, but the content is not justify/necessitate. If the price of "1917" is a kind of FPS-style "peep sense", then the film seems to be on this basis. All characters and plots are symbolized and turned into pawns serving "one mirror to the end": the piano will play a wonderful melody without actually playing it, the background sound will be hidden in the middle of the chat, and there is no logic between the characters’ actions Lack of motivation. A thin script that does not create characters not only makes it difficult for the audience to empathize with the characters psychologically, but also stifles the audience's initiative visually, limiting the perspective to the lens given by the photographer. Fortunately, the completion of the first mirror is quite excellent, and it is a very successful attempt technically.
O. Yin:
I don’t think that the core of this film is a shot to the end, but what exceeded my expectations is that the shot really gave me a unique sense of immersion and grasped my emotional rhythm. This is watching "Imperial Soul" and "1917" "Even "Birdman" has never had an experience; I don’t think the script is far-fetched, and the characters seem to lack motivation, but if combined with the characterization of the characters, everything has its meaning and even its profound meaning. At this point, I have to mention that the heroine still offers such a convincing performance in the extremely difficult filming, gentle, strong, tense, enthusiastic, wild waves, expectation, loneliness and ultimate disillusionment. Although the subject matter, technique, and conception are all the same, the film still has a strong charm of Martin Scorsese's "After get off work".
No one at midnight:
I’ve never been a fan of “One Mirror to the End”. These four words have never had an influence on my love or hatred from the beginning to the end, but at first I did feel biased that this flickering light and shadow, romance and crime intertwined plot should be more Suitable for NWR to shoot. Until the first change appeared, it was the heroine playing the piano. At that moment, you began to feel that this person would slip into all unknowable dangers, because her loneliness is engraved in fate, and a lonely person has nothing. Fearful. Her "caliber" on this night was actually the only and last warm color in her life. As the sky re-lit, she became all the thrilling orphans in the dark that survived the day, and the streets of Berlin were still empty. Empty, she is still a person, no one of the same kind.
Bob Porridge:
After all, One Mirror is not the biggest bright spot but the biggest failure. In other words, the creator used the most wrong form to face this script, or used the most wrong script to face this form. "We are Berliners" and "Take you to see the real Berlin." However, the mirror-to-the-bottom mirror blindly follows the blurred faces, the empty state, and the terrain/street scenes all around are just the background wall. The perspective is forced to follow the subjective movement of the characters. Our identities as "observers" are constantly being consciously awakened. However, all immersion requires a premise: the audience wants to enter the story, and obviously, I did not feel this. Invited, but failed to follow, why should I follow this story? Obviously, the audience is not respected, but is assumed to be an active stalker. The so-called theatrical sense (more precisely, the sense of presence) and the sense of reality are useless. This is not Sleep No More, this is a movie. The characters are not present except for their state and empty behavior. At the end of daybreak, everything seems to never happen, and the story never begins.
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