There are many praises for it, except for the weird and strong rhythmic music, and the development of the plot, which corresponds to the foreshadowing before and after. There are almost no flaws, and there is no falsehood.
Towards the end, when Eaton exposed Emmanuel Baya, that kind of demeanor can only be achieved by an agent-level figure, and he didn't get angry, but Tom had been mentally prepared before disguising her husband, so the exposing can also be calm. To deal with it, unlike the beginning of the film, when the group died seeing that only Emmanuel Bea came back, he treated it with caution.
And after Emmanuel Bea was shot and killed by her publicly, "I'm sorry to hear you say that." Atango caressed her cheek, the chivalrous intestines are admirable. There is also a flaw here, why Emmanuel Bea’s husband didn’t kill Ah Tang before going on a plane. It would be nice to arrange it better.
Subsequent spy movies can't see the details that are handled so well. Either it's too mystical, or it's just guessing the answer. Either it looks like a romantic movie, or the camera shakes and deliberately shows chaotic scenes, no matter how high-tech it is, it is not easy to surpass this one.
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