Can we go on a honeymoon this time?

Kristy 2021-12-21 08:01:14

No. 19 in the 100 Years' Top 100 Comedy Movies (American Film Institute 2000 version). Collected by the National Film Register of the United States.
Adapted from the classic Broadway comedy "The Front Page". The play is known for its exquisite plot and extremely fast dialogue, and it has been featured on the big screen many times. This film is its second film adaptation. Before and after, there were brilliant performances of Lewis Milestone and Billy Wilder (both copied the original names), and they even nominated for the best film Oscars and Golden Globes respectively.
The biggest difference between this film and the original stage play is that one of the protagonists, Hildy, has changed from a male to a female, and his boss Walter has become his ex-husband. In this way, a love triangle is added to Hildy's marriage and resignation, which adds to the joy. It is said that this change came from the whim of director Howard Hawks: one day the female secretary read him Hildy's lines, and he found that it seemed more interesting to interpret the role by women, so he hired a screenwriter to rewrite the script. Another version of this story is that at a dinner party, Howard Hawks improvised the dialogue from the original stage play with a female guest, which made him suddenly have the urge to make this film and the idea of ​​changing gender.
As written in the opening caption card, this film shows reporters who are unscrupulous or even have no moral bottom line in order to dig out the news. There was only one scene in the original stage play, namely the press room of the Chicago Criminal Court; all newspapers sent reporters stationed there, and the group played cards while overlooking the gallows behind the prison for fear that the world would not be chaotic. The male protagonist Walter in the film is a master, he is only newsworthy, he is unremarkable and cynical, and there are quite a few cocky two generals under him; the heroine Hildy is just because he can't bear moral condemnation and is seriously disturbed. Life just wants to go far and high. Of course, while using reporters as the protagonists, the film also satirizes corrupt and incompetent police authorities. For example, the case involved in the film was in the early stage of the election. The mayor made a big fuss about a "communist who killed a black policeman" in an attempt to win black votes by condemning him to death. He pretended not to receive an amnesty order to lure the governor's envoy into a classic.
This film is a representative of the so-called screwball comedy (screwball comedy, or neurocomedy) that emerged and flourished in the 1930s and 1940s. This type of comedy is characterized by tit-for-tat confrontation between men and women, fast-paced witty and humorous language, and farce plots. While the film has the above characteristics, it is especially overlapping (that is, one actor's line has not been finished, and the next line of another actor has begun), one-to-many (such as Hildy facing cross-examination by multiple reporters) , Parallel (such as two people calling at the same time) dialogue history.
"Girl Friday" comes from "man Friday", which in turn derives from Robinson's loyal servant and friend "Friday" in "Robinson Crusoe". Therefore, "man Friday" or "girl Friday" in English idioms refers to a person's loyal and capable helper. The literal translation of "girl Friday" is really nondescript.
The heroine Rosalind Russell, who was already a comedy star at the time, came on top after a group of big names refused to appear. Slightly dissatisfied, she asked someone to polish her lines to make the role more plump, and her style is as good as Cary Grant, who plays the role of the opponent. Although the two were not nominated for this film, they both gradually embarked on the road of superstars. Interestingly, they have been nominated for five Golden Globe Awards, but their fate is completely opposite: Rosalind Russell won all the awards (this record was not broken by Aunt May until 2007), and Cary Grant was not.

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Extended Reading
  • Christop 2022-04-20 09:01:48

    3.5 When I watched the film, I guessed that I saw the "moral view" and "three views are not right" in the short comment. I avoided talking about the most representative extremely fast pace of this film and the interconnectedness of a large number of narrative lines. For the classic narrative The combination of structure and narrative time is such a model of classic Hollywood narrative films. He talks about Howard Hawks' "three misconceptions", women's "short-sightedness" requiring directors who produced films in 1940, and the characters in the play have contemporary human rights awareness. The absurd view is the same paradoxical view as "seeing animal mummies talking about the concept of animal protection and using this as an important basis for denying the value of this cultural relic". Scheduling shows the current situation of the newspaper industry at that time, a large number of scenes of communication through the prop of the telephone, and the living conditions of women in that era have become a kind of "historical data" presentation.

  • Benjamin 2021-12-21 08:01:14

    The speed of this speech is almost incapable of breathing from beginning to end. If you have to describe it, it is a good voice. From beginning to end, Hua Shao has been reading advertisements! But I am undoubtedly the remake of Da Ai Huaide! This one is also very good, but in any case, I feel that the ending is too mediocre.

His Girl Friday quotes

  • Walter Burns: You can get married all you want, Hildy, but you can't quit the newspaper business.

    Hildy Johnson: Well, why not?

    Walter Burns: I know you, Hildy. I know what quitting would mean to you!

    Hildy Johnson: What would it mean?

    Walter Burns: It would kill ya!

    Hildy Johnson: You can't sell me that, Walter Burns.

    Walter Burns: Who says I can't? You're a newspaper man!

    Hildy Johnson: That's why I'm quitting! I want to go someplace where I can be a woman.

  • Walter Burns: Traitor!

    Hildy Johnson: A traitor? A traitor to what?

    Walter Burns: A traitor to journalism! You're a journalist, Hildy!

    Hildy Johnson: A journalist? Now, what does that mean? Peeking through keyholes, chasing after fire engines, waking people up in the middle of the night and ask them if Hitler's gonna start another war, stealing pictures off old ladies? I know all about reporters, Walter. A lot of daffy buttinskies runnin' around without a nickel in their pocket and for what? So, a million hired girls and motorman's wives will know what's going on?