The first part, the second part, gradually elicit the superpowers of the male protagonist that were sealed in childhood from the natural psychic physique, and lead to Parker Colan, who wanted to occupy his body as a child, and the origin of his mother, Parker's perverted murder. Don’t open the shadows of his childhood, his mother’s perverted patriarchal plot, and the red devil, the weird seemingly brisk music, the little ghost boy running in the house, shooting and killing a family of four, holding a newspaper in the living room, The sisters with weird smiles that surfaced under the ghost hunting lens. These series of shocking elements are all gradual and closely integrated. There is a progressive narrative style, which is linked end to end, plus Wen Ziren's good at The camera switch, all kinds of weird soundtracks horrified every hair trembling. This is not something that can be obtained overnight. The fourth part really does not get Wen Ziren to get a point. I personally think that there is no need to have a super power like Granny Alice. Detailed explanations and narratives are unnecessary continuations. In terms of the degree of horror, Reality is not on the same level as One or Two. After watching Latent One or Two, Evocation, Death Silence, Dark Invasion One or Two, Deadly Curve Series, Geshan has an eye for first-class horror movies, and when I watch this, I will be psychologically horrified. I really don’t really need to shoot again when I describe the soul out of my body and go to the other way.
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