Ken Lodge has never changed in all these years. . .
I also watched the world premiere of his new film once in Cannes one year. His lens is always aimed at the working class and the lower class. It is a very unique and persistent force in world cinema. . .
China, finally, in 2021, the Western world will work together to fully face and understand the controversy and creative dilemma brought about by Ken Rocky's films-the huge gap between the rich and the poor is rapidly accumulating a considerable number of margins abandoned by the mainstream of society The poor are not just this group of people, but a wider range of people, how to find the dignity and meaning of their lives in the present moment. . .
In 2021, China will finally face the same difficulties and issues directly as Western developed countries. . .
This is completely different from the social issues of European directors in the 1960s, which were far ahead of China's social and national conditions. China's current involution is gradually exposing the problem. . .
Then comes the second question. Regarding the current "big reality", what is the attitude of the film director? How many attitudes does so-called realism have towards domestic films?
This problem is complicated. . .
This question is very different from China in the case of Ken Rocky's movie. . .
The Chinese director who once had the most similar temperament with Ken Rocky was Jia Zhangke, but in recent years, Section Chief Jia has also been seeking changes, such as the destiny of the sky, such as the children of the rivers and lakes. . .
Other film cares for most people in society are basically the melodrama under the traditional Chinese concept of "watching theater". . .
Guan Hu's "The Survival of the Migrant Workers" was actually a bit of Ken Lodge before, but there are very few afterwards. . .
Regarding the attention to the bottom, the UK has always been much darker than the American film and television dramas. Even if I haven’t watched the latest film "The Tragedy of the Country Folks", I know Ron Howard will be very warm after seeing the director, including the recent final season. Shameless, one of my favorite American dramas, is also becoming more and more tender, and the 11th season is about to end. . . And it is a remake of the original British version of the same name, which is dark and ruthless, far beyond the American version. . .
China estimates that there will be a large number of film and television dramas that focus on the general public in the past few years, just to see how to avoid the trap of excessive warmth and melodrama. . .
It is from this perspective that when I watched "Auspicious Ruyi" at the Golden Rooster Awards, I felt that the director’s pre-determined two-stage shooting method, on the contrary, produced a rare emotional expression for domestic films focusing on ordinary families. This two-stage open-ended creation of docu-drama and "docu-drama" objectively avoids the trap of excessive warmth and excessive melodrama mentioned above, which is very interesting. . .
Also facing the two motifs of family and death, "Auspicious Ruyi" gives a brand-new formula whose original impact is not much worse than that of Ken Rocky's movie, and it is estimated that the controversy is similar. . .
Okay, actually, between Ken Lodge and Dong Chengpeng, I feel a certain connection, which is quite magical???
The above words are because of my feelings after seeing the post below. . .
View more about I, Daniel Blake reviews
