After taking a look, in addition to Lucas himself, there are four screenwriters for Rogue One. Among them, John konll participated in the preparation of the prequel trilogy. It can be said that he is a person who understands Star Wars, Pirates of the Caribbean and Harry Potter. Also from him. Chris Weitz is a frequent visitor to literary and family movies, and Tony Gilroy is good at spy movies. The spy shadows are heavily produced by him, which also fits the story of Rogue One. The Mandalorian has four screenwriters, and Rick Famuyiwa is good at niche literary films. Yost is good at superhero cartoons, and the brothers are also from him. Dave Filoni has participated in almost all Star Wars cartoon productions, and he deserves it. However, the original story 789 is fun. Except for the director and Lucas himself, all screenwriters have no history of participating in Star Wars. The screenwriters of each of the trilogy are also completely different. I cannot understand how the trilogy maintains the story under such circumstances. Logical coherence? Not even one of the three "literary and artistic films" screenwriters, all popcorn producers (btw Star Wars 9's Chris Trrio majors in history and phenomenology (crossed out)). Sometimes you can imagine why the rumored stories are all pretty, but the true story is made of fantasy. After all, it can be seen that it has tasted the sweetness in the Marvel-type super British movie, and perhaps Disney wants to reshape a "Star Wars universe". So the drama has become the scream of "Ahhhhhhhhhhhhhhh!" Since the rumor is a story drawn out of the real history of Star Wars, it can instead follow the narrative logic of the Star Wars story seriously. The limitation of the rumor is that you start like this, end like this, and what you can do during the process. The main story is completely absent at the beginning. You can make up the end by yourself, and you just have to be happy during the process. So even the story of Palpatine's resurrection was made up.
It's understandable to grab the flow and the money in order to cheer up the feelings, but why don't you need a snack in the matter of even selecting screenwriters? Even if you find someone who knows Star Wars to be a consultant. If you say that other bad movies can make people laugh, but this time it really makes people feel like "I'm really OK with me." Even if it takes some time to read more Star Wars books, play more Star Wars games, and gain a sense of history, if it is not possible, you can just insert the existing story of Marshal Sauron and change it, or even which World War II. The story is changed from science fiction, Dunkirk’s retreat to Hoth’s escape will be better than the current three films, I don’t know what the ghost is. And I can’t figure out whether this is trying to stir up feelings or to attract fans. If it’s not just a hodgepodge of all the characters together, what’s the difference between you doing this and the finale of the Women’s Federation? If it is for "coolness" and for attracting fans, but there is another threshold. How do you let ordinary audiences know Palpatine, how do you know about the Battle of Endor, how do you know about the Battle of Jaku? If I’m a new fan, suddenly a big boss that I don’t know will pop up. The first two bosses tell me to be whitewashed. Not only whitewashing, but also tofu from the hostess, my mother vomits blood and vomits. In Donald Duck’s 75-year-old pants. Disney’s bad money is just enough, so I hurriedly climbed up and clambered up, and took jja hurriedly up and down, clambered up, clambered up and clambered up.
In the comment area, there are some individuals who talk to themselves and block others from replying after they have finished speaking. I am a real Buddha for this kind of person. The essence of low-level red is high-level black. If I say that Star Wars has reached the point where it is today, the low-intelligence nc fan also has its own credit.
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