It was unlucky at the beginning, but the atmosphere of introducing a commercial art circle was very boring. I would say something awkward. After Duchamp, the investment component of art sales is greater than the art component. There are very few topics on the market. The topic depth is not bottom-line, so if the shot is accurate, it can be taken very well, but it's a pity.
From the death of the deal, he suddenly switched to the routine of low-cost thrillers. There was a lot of blood and blood, except that the pictures were always beautiful, and there was no use of any related topics in the first ten minutes.
Let's just say it, change the deal's painting into a pile of cursed treasures, and then the plot will progress exactly the same without any problems...
Obviously you can discuss these things: Is beauty absolute? Is the relationship between good art and commercial operations necessarily negatively correlated? Can viewpoint packaging marketing in turn create real works of art?
Etc., etc
It is a pity. It whipped up my appetite, and in the end, I showed me some blood-painted stories about the murder of a lifelong abused artist evil spirit... It's all in 2019, even if you want to make a thriller, can you be a little creative?
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