There is an argument of Woody Allen throughout the film. From the beginning of the story to the end of the story, many things happened but nothing happened. It's not like many other films praising love over all, everything will be fulfilled. But it also has all the elements of chick-flick, so it seems much closer to the people.
The thinking book in the movie is well written, with many small ideas, small hints, and small metaphors. As a result, the director came out and told everyone that there was no book for the film, except that the director gave the big frame of the story, all relying on the actors to improve. Ron Livingston said that on Wednesday he flew to the studio for the first time, and he would film the breakup in the afternoon. He didn't know why he broke up and who he broke up with. So a lot of credit lies in the actors, or alcohol. Anna Kendrick does not need to mention, personally feel that there is no challenging role. Jake Johnson was the highlight, performing the positive attitude towards life of the distillery workers' colorful and masculine sisters who love beautiful wines. Olivia Wilde's acting skills still need to be tempered, but choosing such an indie lead is quite satisfactory.
In the final analysis, stories discussed are nothing more than stories that everyone has encountered or will encounter. At work, or elsewhere, I meet some people, some temptation, some sparks that you and the incumbent lack, but after all, they are just together, not together. "It turns out you are here too." This kind of fresh girl friend's spring dream of sublimating into a boyfriend is ultimately just "it turns out that your girlfriend is here" in real life.
So everyone went back to each house to wash and sleep. Choose a second-ranked protagonist, live a comfortable and awkward life, and let the first-ranked protagonist maintain the perfect first night that will never happen.
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