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I don't belong to that era, forgive me for not loving this film deeply.
Elsie 2021-12-22 08:01:22
A fast-paced film whose beginning and end cannot be seen is my favorite. One of the wonderful lines: "Bert, I’m Larry Levy, I hope you don’t remember me anymore, but if you remember, I hope there is no bad impression that I was working for Gasner at the time." Two: "It's me, Bonnie, we are friends." "You don't understand that I not only represent me and I have a job." The lines can only be understood in the context. Is it just ironic after reading it? I don't belong to that era, forgive me for not loving this film deeply.
Extended Reading
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Xzavier 2022-04-24 07:01:14
Robert Altman Part II. Although it is only the second Ultraman work I have seen, receiving and mining the amount of information in its dense group portraits has become my pleasure in watching movies. It's amazing, but the fun of group portraits fades after focusing on the main line - but there are still wonderful scripts, dense shadow stalks, and various smart and interesting intertexts... I look forward to and believe Robert Altman Or will be my second Stanley Kubrick.
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Carter 2022-04-24 07:01:14
It seems to be a love letter to the film industry with a proud attitude but also full of emotion. Perhaps it is also a work by Robert Altman who wanders between business and art and achieves the most suitable and harmonious proportion of the two. The director's most well-known superb scheduling skills for group dramas are not obvious in this film, and several laws that have been tried and tested in the film industry have been incorporated into the story from time to time, and the smooth rhythm of the film is admirable.
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June: We can't hurry things any more than we can stop them.
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Griffin Mill: Just... stop with the postcards...
David Kahane: [enraged] I don't WRITE POSTCARDS! I WRITE SCRIPTS!