No Direction Home (Bob Dylon)
American Hardcore (Black Flag, etc.)
The Decline of Western Civilization Part II: The Metal Years (Megadeth, etc.)
Joe Strummer: The Future Is Unwritten (Clash)
Roughly
compare these old clappers first , and Bob Dylan is the most cunning. He talks endlessly about the world, but is there a few words that are not ironic? The title of I'am not there is a very good self-assessment, which is also clear from No direction home. Both films mentioned Bob Dylan's press conference during the 60s "anti-war" years. The reporter asked him about you as a political idol of a generation of youth. . . How so, Bob pretended to be horrified, saying who is a political idol? The reporter asked if your political ballad was expressed... Bob is acting stupid again. Who said I sang a ballad? So the reporter got even more excited. That's how the BBC Er Lengzi in I'am not there was teased. Many people feel that it is painful for Bob to shoulder the moral responsibility, and he has to accept harassment from various reporters from time to time. In fact, Bob knows very well what is meant by half pushing and half pushing, what is meant by teasing, and what is meant by exploiting. When you think he is very political, he will tell you that I don’t know what I sing. When you think he is very spirited and broken and can’t find a way back home, he will tell you that he actually wants to. When a middle class, he also pays attention to exercise. This "spiritual representative" is ready to escape at any time, but not far away. After running a few steps, the media will touch it twice, expose it, release a CD, take off the pants and run again. This is not the Beat generation, this is not homelessness. Gui, this is the Captain of Travel Notes, we never know where he is, so we will always talk about him, we will always think about his nonsense, this is not a rolling stone, this is a protracted strategy.
Continue talking about Black Flag (see American Hardcore). Hardcore rather kind, his head in his years against something, such as Ronald Reagan, for example, generated
live. This is time-limited. When the times have passed, they will be laid off quickly and consciously. The next generation's things will make the next generation resist. Such resistance is more efficient and more direct. There is no time to flirt with the media, and the media has little interest in such monotonous gang fights as their main business. This is a succession-type protracted war strategy.
In the end, I planted it myself, such as the Metal Party in the 1980s, such as Joe Strummer, who thought it would be a big one.
The Metal Party is more pitiful. From the documentary, most of their ideals are Li Kui, and their lives are also Li Kui. Rock is not dead, I want to be famous, I want big money, I want big girls. Gone. Time has changed. Those who are not famous may have died or are raising pigs. Those who have become famous may also suffer from impotence, heart disease, and even the sequelae of drug use.
Joe Strummer compared 2, got into sex pistal, and told everyone that he was not an anarchy, he was an iron shoulder. Not only did he want to tour when he went to New York, but he also slipped into the street to sample and enlighten the political positions of New Yorkers. In the end, when the masses regarded him as a political benchmark, he couldn't do it
anymore, and said pitifully that I really didn't expect that I would be arranged to save the world, and then collapsed and went home to take my children. Who do you blame? This is an uprising of unorganized and undisciplined being swayed by the media. From ancient times to the present, the endings are the same, and they will suddenly feel panic. In panic, they will feel a sting in the butt, and the system will walk the back door.
After careful comparison, I still sigh with Bob Dylan's cunning, I'm not there, no matter what the film is, at least the title tells us that it's still an old fox.
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