The music and pictures give people a sense of travel, without deliberately stimulating the emotions of the audience. It is very familiar to listen to it, and the familiarity of the firefly opening song springs up (the firefly is also a western film in space).
There is no pretentious emotional drama in Wushen, no paper-like characters, soothing rhythm with a trace of beating heartstrings, and the wildness of the west that naturally exudes. I especially like this kind of expansion. The music at the beginning of the movie gave me a particularly great feeling. It didn’t directly give you a wild scene, but used gradual changes to create associations. The impression of the West appeared in our minds. This process is particularly good.
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