The 11th #法罗岛电影节# will bring you "Earth Night" on the 3rd screening day of the main competition unit. The following will bring you a variety of comments from frontline drivers!
Fruit trees:
The unresonable commonality cannot be crossed even if the distance is crossed.
Grid artists:
The road plot, the driver movie, the group drama is great, and the story is deliberate.
It's a waste of wood:
Fragmented and free. Unexpected encounter in a taxi late at night. Interpersonal differences and resonance. Overall it is not quite right.
fire_storm:
Late night taxi adventure. Each of the five cities has its own tune. In just over twenty minutes, it is another wonderful little story with several unforgettable characters.
Leah:
Early morning taxi stranger suitcase chewing gum smoke red nose long ear cap band aid guide blind stick lipstick pumpkin sheep Jiuxin pill sunglasses wine snow dismissal fee
River:
The tone of the stories in each city is in line with the city’s customs. Some stories are great, while others are slightly deliberate. I like Rome and New York the most.
Pincent:
Smoking and swear words, cool gestures are more important. You have to get Jiamuxu's complex about loneliness and travel, as well as the groups and character states he prefers to focus on. It's a pity that the more I see it, the more senseless it becomes.
Ye Fan:
A collection of five short stories about taxi rides at night. The whole night, concentrated in four countries in Europe, can be said to show the various life styles. But I don't think the story is easy enough, and it will be more interesting with some spicy flavor.
Red:
really not bad. Night on Earth; From the first paragraph, there is a strong "organizational ability", which is about women, or the humor about the gap between taxi girls and women, or a sense of design; the rest of the paragraphs are the same, but none The American chapter has a sense of life.
Cornice:
The night driver, the traveler is ordinary, sad, humorous, and inexplicable sorrow. It looks good in the rhythm and scheduling. The five drivers, the story with weak storyliness instead renders the emotion of the process, forgetting that the theme is the theme.
Pour wine:
I am very happy to fall in love with a director again. The accent of Jia Muxu really suits my appetite. Haha. Strictly speaking, the story of the five-stage driver in this film is a little boring, but in such a night, a few strangers quietly met on a section of the road. Different, the long night feels really good. First-rate accent, quasi-first-rate story, so be it.
The Queen of the Faroe Island Empire:
The standard of success varies from person to person. Life is indeed fortunate from contentment. A strong heart does not need sympathy. The debauchery experience shocks the world, and the desperate situation remains bright. On the night of collective emotional catharsis, with taxis drifting on the streets, the intertwined city streets all lead to Rome. Taxi drivers who know astronomy and geography are really not a boast.
Sparrow:
Jamusch defines night as the same time in different places, rather than the same place at different times, and has the experimental feature of discovering commonalities from contingency. The story set frozen in the taxi space has experienced the subversion of stereotypes, ordinary and glorious, observation and being observed. As the longitude changes, the night also fades away, only life will continue.
Wipe:
Contains all kinds of drivers-rebellious and cool girl tomboy drivers, drivers who don’t recognize road drivers, drivers who "see what you look down on, do you look down on me", bullshit guys tend to talk about themselves regardless of the passenger's face, and they speak deeply. Story driver. I like this kind of unreasonable narrative film, but the characters are still a bit labelled, slightly deliberate, and sister Red is unique.
Bob_Chow:
Five stories, gentle in, gentle out, climax in Paris and Rome, Bernini's performance is really wonderful. Time is superimposed, but at the same time, from the digital scale, it is going on again. This paradox finally pushes into the dawn, but still sits weakly. Taxis are traditional nomads, religious pilgrimages, and superimposition of capitalism. With a high degree of topographical and humanistic perspective, the front and back rows of the taxi reflect the seats of the movie theater, and the light from the car behind is the most basic projection. Politics, clan, race, and even the so-called "perspectives" have all been deconstructed and relocated under the huge concept of the earth. The reconciliation of contradictions and an awkward dialogue and opposition can be understood as an essence. Way of communication. The disadvantage is that it is slow to enter the state in the first half, but it does not lose the charm of foreplay.
No one at midnight:
In Los Angeles, where everyone has dreams, ideals and reality are never in agreement. Young cool girls turn down the opportunity to be on the screen and just want to be the protagonist of self-satisfaction; New York, which shows tolerance everywhere, drives a classic car. A novice driver, encountering passengers who have been refused loading, the two people who have changed their identities teach each other the first lesson in the busy traffic in their imperfect lives; in Paris, which is ruined by the word "romance", the black driver is curious to spy blindly. The love and sex in the female experience, and the color that the blind girl sees is exactly his skin color. They are just strangers in the same corner in front of the world; in Rome, where religion can love others, divinity makes you abstinence and human nature encourages Indulge in lust, and in the end, the priest is exasperated in mortal confession; in Helsinki, where the night is colder than death, the choice is mood, and the unchangeable is tragedy. The long night is about to end but there is no light. There is limited liking for the essay collection-style movies, and several sets of too-labeled characters are also contrived and flattering. Fortunately, the film does not have more preaching, sensational, and strong main thrusts, leaving only the melancholy and lonely in the calm and calm atmosphere.
The scores of #FIFF11#DAY3's main competition will be released for everyone later, please wait and see.
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