Suspense step by step, interlocking each other, the presentation of every detail can promote the development of the story. A detail or a sentence that seems insignificant can correspond to the subsequent development of the plot, only from the perspective of reasoning and suspense. , Bong Junhao’s director skills are also very good. But throughout the film, the director is not just about family love and crime. Obviously, he pays more attention to more and broader things. From the beginning of "Memories of Murder", we have seen Feng Junhao's sparingly allegory of social injustice, old-fashioned dogma, and ruthless mechanism. Obviously, we have seen more in this film, the society's indifference and injustice towards disadvantaged groups, the rotten legal system, bloody cruel truths, and terrifying memories. . . And so on all penetrate into the narrative development of the film. At the beginning, it was a metaphor for the unfair treatment in this society. The noble class ran into people and flew away, but the low-level people who couldn't open the pot were still responsible for the damage compensation of the Bentley? Mentally handicapped sons and mothers are always discriminated against, but disadvantaged groups can bully more disadvantaged people. The son stoned the selling girl to death. The mother of the incompetent child can only pick up the old man by killing another disadvantaged person, and finally has to rely on it. A weaker, unaccompanied and unprovoked incompetent can only return his son's "innocence". It is too terrible and too cold. And where are the so-called elites in this society? The police arbitrarily judge the case. The lawyer puts his arms around the lady and talks about the law. The glamorous lady who buys medicine is both deadly and has to set up a memorial. Justice can only be manifested by violence, and friendship can only be maintained by money. Like a cold lens, staring coldly at these injustices and misfortunes.
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