mother is always the protagonist under the cross of light and shadow. Almodóvar has produced the insurmountable "Everything About My Mother" as early as ten years ago. Under the same theme, there are In "Mother", Yamada Yoji returned to the basics to describe the simplicity of Yongji Sayuri. Zhang Yimou hid the overlap of his mother's young and old faces in Zhang Ziyi's run. In "Mother's Castle", the Provence flower clusters are warm and tender. Of course, there is also Crawford, who portrays the extreme love of licking the calf to the point of self-sacrifice like "The Demon of Desire to the Sea".
If you look forward to Bong Junhao's "Mother" with the track you have already performed, you would be very wrong, Bong Junhao said, there is a tragedy of maternal love that is full of mists. After removing the bloody clouds, the blood stains on the mother's face are faintly visible. The confession-like dance spreads in the golden ripples, and the light dance follows the rhythm. It is indeed the mother's confusion, but the whimper is hidden in the wind. , Mad and angry, leaning on the wind to laugh to myself, washing away my youth, pouring the poison.
When Bong Joon-ho arranged a playful ending with an unknown answer in "Memories of Murder" a few years ago, even if Bong Joon-ho reveals the answer to all audiences, you can still feel that heart-warming. Cruel, you may be able to feel that the unbearable lightness of life accidentally stumbles on the bottom of your heart and leaves the scar. When the grotesque mystery weaving in "Memories of Murder" fades away on the rainy night when the truth is hidden, when the "Han River Monster" describes the absurd monsters built in a family to appreciate the warmth and coldness of society, Bong Joon-ho reveals it in "Mother" The answer was given, but the audience really felt the "cracked vase pain and silent".
The mother obviously did not anticipate her son’s "betrayal" of herself. The mother still thinks that her blind doting can enable her mentally handicapped son to live a life of worry-free clothing and food. However, you will find that these are all Tae-woo with his mother when he was 5 years old. After drinking pesticides in an attempt to leave the world, the difficulties of life, the pressure of livelihood, the mockery of fate, and the cold eyes of the world have prevented the mother and child from having a normal and healthy environment to maintain a simple family of two. It is vaguely about how many defects his father has brought to Taiyu's life, so he can only play with a small gangster like Zhenyu, and then during his time in jail, the only property in the family is in Zhenyu's pocket.
Under the dim sky, his son Taiyu is like a naughty shadow, struggling to get rid of the shackles of his body under the sun-his mother. However, the mother repeatedly asked her son to go around the "temple of destiny" to remember, and was finally brought to a dead end by the son's memory, and in the son's non-stop memory, the childhood memory was gradually awakened. Mothers are more hurt and collapsed. The memory of the mother and child drinking pesticides at the age of 5 caused the mother to collapse frequently, and it was closer to a tragic ending. The contradictory mother even tried to seal the memory that had just been deciphered. How can it be solved with acupuncture? When the warm tones of the mother’s affection mixed with the morbid spoiling and Tai Woo’s mental retardation, the gradual cold tones really concealed, concealed, and smeared the love between mother and child and the forced homicide, which pushed the film into a colorful picture. The endless life picture scroll.
Except for a few accidental scenes, the dialogue between the mother and son was conducted in the visitation room. You can clearly find that although the fence is made of transparent plastic, an invisible barrier is gradually formed between the mother and the child. It seems to be able to penetrate into the heart of the character to examine the son’s gradual indifference to the mother, but Taiyu will never be separated from his mother. When my mother went to see the Japanese lunatic who was finally convicted, and asked if the lunatic had parents, the little lunatic said indifferently that he had no parents. At this time, the mother could not pull herself out of tears, not just because she was killing her in a crazy state. Some regrets caused by the death of the scavenger, and also from her indirect association through the little madman about how Taiyu will face this cold and self-knowing society if she loses herself-the bar proprietress who is discriminated against by the forces, is strong and cunning. Zhenyu, an incompetent policeman, a cold-blooded and proud lawyer, etc. However, it is more the mother's joy when she learns that she has worked hard and tried all means to finally escape the danger for her son. The cry seems to be non-existent, but it is undoubtedly a wonderful world that has been broken in the film.
Won Bin’s performance really made people shine. In the past ten years of Korean film and television, the roles of "fools" have become popular, and they have the momentum to win the protagonist. (The students in "Color is Empty", " The restaurant son in "Memories of Murder", Cao Chengyou in "Marathon", etc.). This time, Bong Junhao directly attributed the protagonist to a fool, and the feeling that a fool is not stupid is scattered in the film, making people unpredictable and suspicious. Taiyu was able to record the black Benz that had just caused the accident as white, and the license plate number "5392" as "5362"; put the chicken that his mother had torn up and put him back into the plate one by one; urinated on the bus stop Drink the potion brought by my mother again; answer the phone thinking that it is Zhentai but the mother’s tone of voice; turn the fingers of the "temple of destiny" like Brother Yixiu; and his clear eyes that are "like deer eyes" . The most gratifying thing is that he fully showed a mentally retarded fool, but he was a bit unpredictable, and felt that at certain moments (especially when I remembered the period when he was 5 years old when he drank pesticides with his mother) Tai Woo looked stupid. The feeling of not being stupid complements the mother under Jin Hye-ja's interpretation. Tae Woo, who should have been rebellious a long time ago, has gone through this period of imprisonment. Even after returning home, he has to face his mother when sleeping with his mother and put his hands on the mother’s breast. After returning home, he starts to face her mother. , Keep a certain distance from your mother. In fact, these generation gaps have occurred long ago, but the mother blindly hopes that by giving all the best things she can get to her son, Taiyu can be happy and happy. The mother's reluctance to face is to a certain extent also the planning of the son's tragedy.
Wen Yazhong and her grandmother are undoubtedly the key to the film. Both of them are the joints and gaps in the film, which are close to the distance between her mother and the truth. When her mother redressed Tai Woo to the funeral of Yazhong, she encountered a group It was originally unrelated to the wanton abuse and slap in the face of Yazhong’s grandmother and daughter’s relatives; when the children learned that their mother asked Yazhong, they would jokingly be a "rice cake girl", and everyone could have a relationship with her; with the help of two middle school students’ ugly The cheeks and montages show Yazhong's helplessness towards her coming soon; in the dim and shabby house, grandmother took out from the rice pot the most important evidence to find criminals-mobile phones, you can deeply appreciate The rice wine that my grandmother drank was brewed from the rice that was exchanged with her own body in Wenya. What kind of sacrifice a child made, although the camera does not explain much, but careful scrutiny shows that it is no less miserable than Taiyu, at least Taiyu owns A mother who can always take care of.
In the cramped pharmacy narrow alley, from the door to the mother’s medicine cutting guillotine, the mother’s heart to Taiyu at the beginning of the film is amazing. First, the mother cuts the medicine and hears the sound of the car. Taiyu and the puppy were affectionate and greeted his mother with a dog's paw; immediately cut until the mother continued to cut the medicinal materials, and the medicinal materials gradually cut the end of the knife. The audience had obviously noticed that they continued to cut the finger of the mother who was about to cut the knife; the mother raised her head and Taiyu walked onto the road. The bright light flashed, Taiyu was hit, and the expression on his mother's face burst instantly; in the end, her mother ran out screaming, but failed to chase the car. This continuous subjective and objective visual transformation not only shows the mother’s meticulous care and worry and alertness to Taiyu, but also the scenes of the end of the medicinal material close to the guillotine time and time again well for the incident, and the sudden outbreak of the incident. Feng Junhao's conversion of just a few shots, just with the sporadic shots gradually mixed with medicinal materials, made people applaud. The second shot fell on this small pharmacy, when the police officer Ji Wen told his mother that he had caught the little Japanese lunatic. At that time, my mother had just killed the scavengers, her eyes were a little lost. You can't see the real mother's attention to Taiyu at the time, and the scene of cutting medicine. However, you will clearly feel this scene arrangement and the first time. Although it is the same, the trend of the film has been tumbling into the truth behind it. You still worry that the guillotine seems to be gutting the mother's finger again. There is no such profound visual transformation as the first time, which also shows that the film is gradually becoming flat. However, behind the flatness is the mother's secret and the turbulent waves in her alone.
Slowly twisting, twisting and peeling the cocoon, it is a fact that my mother cannot accept. Even in the scene of cruelly killing the scavenger, she said the angry words "you are not worthy of being the nail smudge of my family Taiyu", as a water pipe The seven heavy clamps fell on the innocent scavenger's body, causing his liver and brain to be smeared, and the scarlet blood soaked below the surface like the truth. With the "unexpected fire", it was forever obliterated on October 15, 2006.
When the son took out the mother's needle box as a gift to his mother, you can really shake from the mother's crow's feet, calmly but turbulent inside. The needle box is not only evidence of her murder, but also her job of picking up the family, and you can easily extend the mother's love for half-silly and half-truth sons. Mother first chose to be silent on the grateful travel bus, facing the carnival middle-aged women dumbly, but the mother who faced many trials in order to avenge Zhenyu had already had a mental breakdown. At this time, she could no longer carry all the things. Stressed and troubled, she chose the same way as her son in the past, and resolutely pricked at the acupuncture point on her thigh that destroyed the horrible memory. Then, the mother who had been struggling and struggling was finally relieved and was immersed in the middle-aged women. Madness under the blood-stained dusk.
Mother is like a lonely carnation in the Grand View Garden, gradually falling off and dying, lowering her head is a constantly changing nightmare, looking for the final zodiac sign of her own seed; the gentle sun shines, but the end of her head is full of her own step by step To the reincarnation under the bloody setting sun.
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