My decoding

Mark 2021-10-18 09:29:04

I watched the original version of "The Da Vinci Code" mixed in French and English, and the translated subtitles were really not flattering. It was probably for the rough work that was rushed out overnight in a global release. "Sister" should be called "nun" in the church, but it turned into "old sister", so I almost fell off the seat of the cinema.

But I admire the director's mastery of the rhythm, and the overall narrative is quite relaxed. Maybe many people reported that they had too high expectations to watch, and they kept swearing, so let's wait for time to check. But what I most admired was the scene where Langdon and the others went to Newton's cemetery. The ghostly historical figures went to attend Newton's funeral. Today, hundreds of years later, Langdon is also walking on the road of this ancient church in order to discover the truth. The only thing that remains unchanged and clear is that ancient buildings that have verified how many historical vicissitudes are. They are witnesses and participants of history, and any written record cannot obliterate their confession of history. This picture is particularly impressive to me.

The overall soundtrack also has to be mentioned. Due to the many changes in the scene, there are also many chapters of the characters' thought activities, and the quality of the soundtrack plays a key role. When Langdon was thinking about the code, the strange combination of symbols at any time, the background music played a little bit. Sometimes nervous, sometimes soothing and smooth, retracting and unwinding freely between vomiting and receiving.

Finally, a small suggestion can be developed to develop a cultural tourism route of "The Da Vinci Code". There are so many scenes that people can participate in the journey of searching for passwords or treasures. It would be great to be able to participate.

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Extended Reading

The Da Vinci Code quotes

  • Robert Langdon: Have you ever heard those words before, Sophie, "so dark the con of man"?

    Sophie Neveu: No. Have you?

    Robert Langdon: When you were a child, were you aware of any secret gatherings? Anything ritualistic in nature? Meetings your grandfather would have wanted kept secret? Was there ever any talk of something called the Priory of Sion?

    Sophie Neveu: The what? Why are you asking these things?

    Robert Langdon: The Priory of Sion is a myth. One of the world's oldest and most secret societies with leaders like, uh, Sir Isaac Newton, da Vinci himself. The fleur-de-lis is their crest. They're guardians of a secret they supposedly refer to as "the dark con of man."

    Sophie Neveu: But what secret?

    Robert Langdon: The Priory of Sion protects the source of God's power on Earth.

  • Andre Vernet: Forgive the intrusion. I'm afraid the police arrived more quickly than I anticipated. You must follow me, please. For your own safety.

    Sophie Neveu: You knew they were coming?

    Andre Vernet: My guard alerted me to your status when you arrived. Yours is one of our oldest and highest-level accounts. It includes a safe-passage clause.

    Robert Langdon: Safe passage?

    Andre Vernet: [opening the back of an armored truck] If you step inside, please. Time is of the essence.

    Robert Langdon: [nervously, seeing the limited space available] In there?