The last episode was very exciting, and it was very different from what I imagined. The screenwriter exceeded me time and time again.
In my imagination, he might end the first season with his father's death, his son's seizure of power, and his father's reinstatement of power again, so that he will not only have a sense of solemnity at the end, but also attract the audience of the next season. But the screenwriter is obviously more confident: I will definitely meet again, so I'm half talking.
In general, many movies are not good for watching, because they are weak in characters and lines, they can only use this kind of words to strengthen the tone. What's more fun to inherit is that he also developed a kind of "fuck" on the camera: the character suddenly zoomed in when it was close-up. I have seen some comments saying that they are dizzy, maybe these people still want to be like a domestic drama, one camera face to the end in the dialogue.
But inheritance is very different. Each of his characters is very prominent, from the mentally retarded greg, the soft tom to the coquettish daughter, and the vicious native mother. However, the images of these people are mostly one-sided, such as tom, the front and the back are four. The words can be fully explained. Roman, who was originally a hippie, also became cramped, cautious, and caressed with his joining. Instead, the only one with the most three-dimensional image is the old man Logan.
Just remember the last episode specifically. In the first episode, Logan scolded Ken, what did you say? You are weak, you are at the mercy of others, do you want to cry, you also say through the mouth of your brothers and sisters: You have an addiction problem. So I deduced that Ken would cry, but I guessed that he was in the bathroom in the first two episodes, but he didn't. Until the end, addiction, weakness, crying, hugging pua, all the threads are closed.
this could be the defining moment of your life. it'd eat anything.
This is the completion of the character line.
Some barrage also shows the meticulousness of the screenwriter: Ken opened the window in order to make the waiter sober, which saved his life. And this detail is not obtrusive, because he is addicted, looking for someone, asking for powder and not ketching, it all happens naturally. What is abrupt? Suddenly, Ken suddenly said that I am feeling cold now, do you have any clothes, and then the waiter said that I have an underwater life jacket on the back seat, so you can put it on (oh this is "The Hidden Corner").
But what the barrage didn't see was a more detailed point: because the rocket failed to launch (the scene was absolutely quiet and artistic), Roman pretended not to know, and asked if there were any casualties. dead people dead people finally learned that there is no post-ecstasy-this is part of the Roman character line, but more importantly, dead people have always been suggesting that someone will die. The rocket failed to launch, the entire launch pad exploded without death, and the drug addict can kill people when driving. In addition, the rocket explosion on the character line of Roman is not abrupt. Because he has been urging the promotion process in order to celebrate his sister's wedding on this day, and he has asked the Rockets questions at least three times before. He has changed from an idler who doesn't care about himself to a struggling force-it shows that he is essentially a workaholic, and the hippie is just his disguise. He needs a sense of security and lack of self-confidence, so much so that he needs marriage to tie a prostitute to his side. Not self-confidence is also a common problem in this family, which is understandable, because my father is an extremely confident and successful person.
Oh yes, this plot is so natural and wonderful that many bullet screens say that this is not a conspiracy designed by his father. In addition, this scene of father-son reconciliation responds to the unfinished farce in the desert before.
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