Storytelling is a wonderful thing. You don't need to worry too much about the rationality or logic of the story. As long as the audience is engaged in watching it, the audience will be fascinated by it. This is especially true of many sensual war films such as "Hunter Killer". In the Russian coup, the Minister of Defense abolished the President and ordered the princes to challenge things. In various thrilling rescues by American submarines, four masters bravely rescued the president from the next door of the Secretary of Defense Rebellion Command.
Okay, here comes the BUG. Since the bullets fly around and there are countless casualties, and since the leader of the rebels is within easy reach, shouldn’t the strategy be adjusted to change rescue to removal... It’s simpler and more straightforward to make the minister abrupt-fixed-point removal instead of holding Is the dying president flying around the wall?
However, for this type of film, logic is not that important. Storytelling and listening to the story, you love me, as long as you write so worried about the squatting, shoot the bullets so "real", and portray the heroes into the EQ and IQ, most of the audience will have no temper...
It is said that Putin is reluctant to say that you, the submarine, why did you bubbling in our military port? Squeeze! (Here is Russian!) Putin the Great: As soon as you get serious, you lose...
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