It's crisp and crisp!

Delphine 2021-12-06 19:21:00

1) The plot is neat. This film basically didn't take any effort to create a number of loops around the audience. The good and bad characters almost made people understand their identities as soon as they appeared on the scene. The narrative style is completely one-liner. Shen stayed breath, and slowly finished the story step by step. Dongdong I like this spy film with the elegant style of the 1950s and 1960s.
2) The characters are neat. The character represented by Bourne in the film can almost be said to be the "new" spy of Anti 007-low-key, composed, calm, and without backup. The seemingly inconspicuous characters can take advantage of the most appropriate timing to thrive in an instant after precise judgment, and instantly reverse the situation. There are three scenes in the film that can explain the problem: one is Bourne casually rolled into a short stick with a magazine and fights with the other only remaining Treadstone killer; the other is the explosion and destruction of the scene with gas + bread oven + magazine; the third is in Moscow Driving a Lada taxi on the street, a Mercedes-Benz police car of the police, and an SUV driven by the villain killer hurriedly and won the victory. Use ordinary items to complete impossible tasks, this is the kingly way among real spies!
3) The shooting is neat. The whole film uses a large number of close-up follow-up shooting, and the chase and escape scenes are cut successively with very short shots, without using the fashionable slow motion, bullet time, shots turning around in recent years and other special effects. But it also achieved the effect of holding your breath and stunned. The collision scenes shot in the car chase at close range are particularly thrilling, far more thrilling than the thrill of crashing more than a dozen cars in other action movies.
In short, this movie is good! It's worth seeing, buying, and collecting.

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Extended Reading

The Bourne Supremacy quotes

  • Ward Abbott: You're in a big puddle of shit, Pamela, and you don't have the shoes for it.

  • Tom Cronin: He's making his first mistake.

    Nicky: It's not a mistake. They don't make mistakes. They don't do random. There's always an objective. Always a target.

    Pamela Landy: The objectives and targets always came from us. Who's giving them to him now?

    Nicky: Scary version? He is.