What can’t be forgotten is the six-cut sugar

Dillan 2021-10-13 13:05:37

Nearly three hours of film, but not very lengthy.
Although he is a battlefield luthier, but the Jewish musician's music has a Polish taste, Chopin did not impress people too much.
He always felt that he could finally get his life from the Germans. It is purely accidental and not because the power of music has defeated the war and the ugliness of human nature
.

His period of Chopin in the ruins of a German officer moved but did not impress me
at least from the music is
but it reminds me in awe of the film
each shot looks is so restrained and profound compassion
without any Pianist That kind of sensational bloodshed
reproduces the real indiscriminate war

.
What I can't forget is the piece of candy that was carefully divided into six pieces by my dad with a knife. He cut me and said to himself that I can't stand it anymore, I can't stand it, and the
whole family People silently took their own share and stuffed
it in their mouths. It ended so quickly. The last meal of the whole family together
is also the last meal in life

. The sweetness on the knife is so painful

that it’s the same. There is also the bald Jew who was headshot by the German army
lying on the ground listening to the voice of the Nazi changing the magazine
. These five seconds, life is
better than death, let people suffocate him. The

film is so calm that it doesn't seem to be mixed with directors. Feelings, but the impact of the knife hits the bones, and the air is sucked.
Finally, these shots converge into a sea of ​​sorrow. In a vast gray ruin, the pianist who has been haggard and is almost free from the human form is staggering in it like A sinking leaf in the ocean
bears the sorrow of a ruined empty city alone
I don’t know when he was looking for food and water in the ruined buildings that had been empty, and he
saw the tables, chairs, bottles and jars that were lucky enough to save the whole body in the war,
including the canned pumpkin that was full of cans. Is
he right? There is also the strength to mourn them. I don’t know that the masters who

are now
living make people cry without tears. It ’s not the music or the cruelty of war that hits people’s souls,
but the humble stubbornness that one wants to live on.




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Extended Reading
  • Hope 2022-03-24 09:01:05

    It is completely understandable why the male protagonist had symptoms similar to PTSD after filming this movie. The most shocking scene was probably the way his fingers were playing the keys through the air.

  • Oliver 2022-03-25 09:01:04

    The biggest advantage of C+ / is that it does not interpret the artistic elements of the war excessively and poetically, but concentrates on showing the most real "superiority" of war life from the protagonist's perspective. Other aspects seem to be more tidy and less peculiar. It's the beginning of the paragraphs where the rumors come true, which echoes inexplicably with real life. There is a feeling of watching Palme d’Or and the results of an Oscar BP. Well, I admit that I cried for a long time.

The Pianist quotes

  • Radio announcer: Poland is no longer alone.

  • Halina: We could hide the money. Look here. We can hide the money under the flower pots.

    Father: No, no, no, no, I'll tell you what we do. We use tried and tested methods. You know what we did in the last war? We made a hole in the table leg

    [taps the leg]

    Father: and hid the money in there.

    Henryk Szpilman: And suppose they take the table away?

    Father: What do you mean, take the table away?

    Henryk Szpilman: The Germans go into Jewish homes and they just take what they want, furniture, valuable, anything.

    Mother: Do they?

    Father: Idiot, what would they want with a table, a table like this?

    [rips a piece of wood off the table]

    Mother: What on earth are you doing!

    Halina: No, listen. This is the best place for it. No-one would think of looking under the flower pots.

    Henryk Szpilman: No, no, no, listen, listen to me, I've been thinking...

    Wladyslaw Szpilman: Oh, really? That's a change.

    Henryk Szpilman: You know what we do? We use psychology.

    Wladyslaw Szpilman: We use *what*?

    Henryk Szpilman: We leave the money and the watch on the table, and we cover it like this, in full view.

    Wladyslaw Szpilman: [amazed] Are you stupid?

    Henryk Szpilman: The Germans will search high and low, I promise you, they'll never notice!

    Wladyslaw Szpilman: That's the stupidest thing I've ever seen, of course they'll notice it. Look.

    [takes the violin and a bill, folds it and slips it into the opening of the violin]

    Wladyslaw Szpilman: Look here... idiot.

    Henryk Szpilman: And you call me stupid?

    Mother: No, that is very good, because that is the last place they will ever look.

    Henryk Szpilman: This will take hours!

    Mother: We're not in a hurry, we'll get it back...

    Wladyslaw Szpilman: It won't take hours.

    Henryk Szpilman: How will you get them out? Tell me that, tell me how, I'd like to know, how would you get them out. You take each one out individually...

    Halina: No-one listens to me, no-one.