This semi-documentary and semi-artistic film is also quite distinctive. At the beginning of the film, it said: "it is not based on a real story, it is a real story. It can be seen that the director has made great efforts to pursue the restoration of the robbery incident. Although this film is a documentary The performance is very strong, but the artistry is also quite strong. Whether it is the lighting set or the soundtrack, it is handled very naturally and smoothly. Especially the editing and transition of the last four college students who collapsed because of fear are all perfect. Audiences can feel the panic they feel when they find out that they screwed up. The more creative part is the interview with their real person in the film, (the subtitles are not translated into this is a flaw, although the audience may be Guess it's a real person), and they still have some contradictions in their narration of the cause and effect of the whole incident, which also highlights the authenticity of the robbery. Some people say that this film has strong educational significance, but I am the director. The real purpose is to show the real thoughts of these college students. They are very kind people in nature, and they are very painful even after hurting the librarian, because they feel that they have hurt a good person. However, they are tired of this step-by-step life , it seems that all life has been arranged and can't be changed, they want to make their life more meaningful, so they planned this robbery. There is a detail in the movie that is well done to redeem them in the process of robbery And after the robbery, they kept swearing in their mouths, which reflected the fear, anxiety, anxiety and remorse that they wanted to do this, mixed together. As an aside, this group of college students really It's stupid. The most stupid thing is that the emails left after the event and before the event are the same, and they also left their frequently used phone numbers. This may be because they are really too nervous and afraid.
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