The very classic love "tear gas" seems simple, but it is a blow to the love cannon fodder under money.
The film depicts women very finely in terms of emotion and character. Although the heroine has a humble identity, she also has a longing for a better life and a desire for love. She relies on her own efforts to live in the house she bought and has an unyielding spirit. The temperament and temperament are gone in front of true love. The freedom to retract and release this change is not only due to the wonderful self-expression of the heroine, but also an elaboration of the film's self-worth.
The anger after being deceived by the boyfriend and the excitement after the sudden turn of events, the hopelessness after praying to the Virgin Mary and the repentance after finding a priest, a large number of comparisons have created a huge psychological gap and sympathy for the heroine. The most subtle thing is knowing that It will be the end of despair, but it makes people have the extravagant hope that it can be changed. In the last scene, the almost desperate heroine smiles in the carnival crowd, and she is sad but has to cheer for it...
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