This is the first time I saw this kind of suspense film that has only a single real character in a single space, and only promotes the development of the plot through brief telephone exchanges, but as a suspense film within 90 minutes, there is no sense of compactness and depression at all. Lack
One is that I have to praise the male protagonist for his nuanced performance in such a situation of non-real-life communication and no face-to-face confrontation, which is commendable for his nervousness, anxiety, sudden realization
The other is that the idea is really "smart". I think it is the simplest truth of the whole movie. I think it should be the inherent law of the human heart. A kind of "labeling": the police must not commit crimes. Women who are at a loss must be victims who have experienced violence Shi's man must be a murderer, and the expression of the movie, which has no real scene and only listens to other people's explanations to let the protagonist make a judgment, is very substituting. We empathize with the whole incident, and our sense of reflection is stronger.
Maybe it’s because I haven’t seen a film with this expression before, and I think it’s wrong. It’s a movie suitable for watching alone on weekend nights, but it’s not suitable to watch it before going to bed. It’s very unhypnotic and a domestic movie that is competing for this year’s Oscar for best foreign language film. Compared with my personal preference, the "Sinner", which costs less and focuses on the script itself and the performance of the actors
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