The religious version of the battleship Potemkin, the French Huang Jiguang, a lot of close-up shots, the rebels are shot from the top, the desperate face raised from the top, the strength is contrasted, there are no fixed-length shots and redundant explanations, only the characters themselves. The editing method expresses the general spatial relationship. The audience only knows that Joan of Arc and the missionaries are in a room, their relationship with the whole space, and the relationship between them, it is difficult to know from the gray background and a series of close-up faces. The master of the silent film era. For one thing, the version shown by the archives has always had very exaggerated background music, which is not in
View more about The Passion of Joan of Arc reviews
