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Jean 2022-03-25 09:01:10

The religious version of the battleship Potemkin, the French Huang Jiguang, a lot of close-up shots, the rebels are shot from the top, the desperate face raised from the top, the strength is contrasted, there are no fixed-length shots and redundant explanations, only the characters themselves. The editing method expresses the general spatial relationship. The audience only knows that Joan of Arc and the missionaries are in a room, their relationship with the whole space, and the relationship between them, it is difficult to know from the gray background and a series of close-up faces. The master of the silent film era. For one thing, the version shown by the archives has always had very exaggerated background music, which is not in . It is pure performance, pure pain, and there is no excessive emotional rendering.

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Extended Reading
  • Ethyl 2022-04-21 09:02:28

    The fixed shot of Joan of Arc's face, which is always looking down, makes her finally look like a statue of divinity, tears or dialogue, and the gesture of martyrdom greets the final moment, while in contrast, the secondary characters are swaying and switching , finally set off this pure heroism. They watched, or questioned, only Joan of Arc ushered in eternity.

  • Federico 2022-03-26 09:01:07

    Dreyer Carl_Theodor_Dreyer also bought the ticket, but also didn't see it.... The second chance is not missed, see it on the big screen....

The Passion of Joan of Arc quotes

  • Évêque Pierre Cauchon (Bishop Pierre Cauchon): So you think God hates the English?

    Jeanne d'Arc: I don't know if God loves or hates the English; but I do know that the English will all be chased from France - except those that die here!

  • Évêque Pierre Cauchon (Bishop Pierre Cauchon): Why do you wear men's clothing? If we give you woman's clothing, would you wear it?

    Jeanne d'Arc: When the mission that God has entrusted to me is over, I will again dress as a woman.