movie life

Soledad 2022-03-25 09:01:11

The film tells the story of the young writer male protagonist who was persecuted by political persecution and came to a small town due to accidental amnesia. He was rescued and mistaken for Luke, a soldier who died in World War II (this is a well-respected hero in the town) Afterwards, with the help and efforts of the residents of the town, the movie theater was renovated and the entertainment and life of the town were revived. Then it was revealed that he was not Luke, and the male protagonist who also slowly recovered his memory, from wanting to surrender and confessing to the firm Congress in court, which was not allowed to legislate to interfere with freedom of belief, freed him from persecution and was recognized and accepted by the people in the town again. s story.

Luke and the male protagonist, one fights for people's personal freedom and the other fights for the spiritual freedom of the people. They are both heroes and are equally respected by people.

There is no war footage, but in a quiet town after the war, people expect the return of the hero to see the huge damage caused by the war, and even if they see a fake Luke, people are willing to believe it...

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Extended Reading
  • Emmalee 2021-12-25 08:01:06

    I just want to watch a relaxing and joyful movie to pass the time. Choosing a Jim Carry is actually a literary film. Oh, I just want to relax my brain...

  • Letha 2022-04-22 07:01:36

    This kind of tone movie is really painful to watch...

The Majestic quotes

  • Peter Appleton: I'm sorry... but it occurs to me that there is a bigger issue today than whether or not I'm a Communist.

    Elvin Clyde: Bigger issue? Mr. Appleton, there 'is' no bigger issue.

    Peter Appleton: Actually, not to be contrary, I think there is... Gosh, I don't quite know what to say.

    [Peter takes a drink of water]

    Peter Appleton: The fact is I... I've never been a man of great conviction. I never saw the percentage in it... and quite frankly, I suppose I, uh... lacked the courage. See, I'm not like Luke Trimble. He had the market cornered on those things. I never met the guy, but I feel like I've gotten to know him. The thing is, I can't help wondering what he'd say... if he were standing here right now. You know, I think what I think he'd probably tell you: the America represented in this room... is not the America he died defending.

    [the crowd noise in the background rises]

    Peter Appleton: I think he'd tell you your America is bitter...

    [Congressman Doyle begins banging his gavel]

    Peter Appleton: and cruel... and small.

    Congressman Doyle: The chamber will come to order!

    Peter Appleton: I know for a fact that his America was big... bigger than you could imagine... with a wide open heart

    [Congressman Doyle bangs the gavel again]

    Peter Appleton: ... where every person...

    Congressman Doyle: Mr. Appleton! You are out of order!

    Peter Appleton: [Speaking over Congressman Doyle] ... has a voice! Even if you don't like what they have to say.

    Congressman Doyle: Enough, Sir! You are out of order!

    Peter Appleton: If he 'were' here, I wonder how you'd respond... if you could explain to him what happened to his America.

    Congressman Doyle: Mr. Appleton, you are skating on the very thin edge of contempt.

    Peter Appleton: Well that's the first thing I've heard today that I completely agree with!

    Kevin Bannerman: Mr. Chairman... Mr. Chairman... Mr. Chairman... Mr. Chairman, my client is clearly under an enormous strain as a direct result of the belligerent questioning of Mr. Clyde, and he is therefore not responsible for his comments. At this time, we wish to invoke the Fifth Amendment.

    Peter Appleton: No, no we don't.

    Kevin Bannerman: Yes, Pete, we do.

    Peter Appleton: No, Kevin, we don't, so knock it off!

    [pounds his fist on the table for punctuation, quieting the crowd]

    Peter Appleton: [in a quieter voice] Just shut the hell up and let me get through this.

  • [first lines]

    Studio Executive: What about the kid?

    Studio Executive: What kid?

    Studio Executive: You know, the kid who rings the bell.

    Studio Executive: What kid? What bell? What are you talking about?

    Studio Executive: The kid. After the mine caves in. The kid. He runs up the hill. He rings the bell to alert the town.

    Studio Executive: Is that in the script? What page are we on?

    Studio Executive: What if we gave the kid - a disease.

    Studio Executive: A disease?

    Studio Executive: A *disease*. Braces on the legs, that sort of thing.

    Studio Executive: But he runs up the hill.

    Studio Executive: He could hobble.

    Studio Executive: Hobble is good.