1. At the very beginning of the film, my first feeling was chaos. From the shaking of the handheld camera to the movement of the hero and heroine, I could feel the complexity of the environment.
2. The male protagonist initially gave me the same impression as the male protagonist in Manchester by the sea. I don't know if it was because of the shape of the head, the melancholy temperament in the eyes, or the face that rarely smiles.
I still see the appearance of a plump character in the male protagonist. For me, a good character is a change of content. In this film, the male protagonist first looks like a dangerous building to save people, and is a gentle teacher. Sir, he is the most simple and pure image of a man, so did his wife's incident change him? I don't think it is, but the contradiction in this incident inspired the dignity of the male protagonist, to be precise, the man's desire to protect possessions, so that he thought of making the rapist pay the same price. What is the price? It is the rapist who lost his family and husband and wife relationship, so does this mean that after the heroine experienced this incident, he has lost this relationship for the male protagonist. Once the male protagonist wanted to have a house with the female protagonist child, and now he feels that he has lost, because after the incident, the male protagonist still loves or cares about his wife, but when people talk (neighbor: you didn't see her in the bathroom; the comfort of the drama troupe) When he attacked him again and again, this image appeared in his mind countless times. He was very heartbroken, not just for his wife. In the second half of the film, I felt that the pain came from his own private interests being invaded by others. Character - wife.
Some of them have deep memories. The male protagonist and the female protagonist entertained the children to eat pasta at home. At the beginning, the male protagonist was so gentle and learned from SpongeBob SquarePants. When he heard that the money for the pasta was left by the rapist, he was so gloomy and indifferent. .
3. Thank you to the screenwriter for not mentioning rape once in his lines, and thank you to the director for not letting us see what it looks like in the bath. In fact, my adrenaline has been waiting, waiting for my husband to express the kind of questioning and hatred of rape. Waiting for the wife to spit out rape, waiting for the crime of the old man to tell the crime of rape, waiting for the neighbors or the drama troupe to mention rape to stimulate. This feeling of being in one's heart is also a major driving force behind the show. There is no special explosive climax in this show. It seems to be depressed and stable. Under this kind of stability, there needs to be an emotional support. This is not to mention rape. For the benefit of being true or false, this white space leaves the inflation factor for half the drama. As for whether rape or not, I tend not to. First of all, objectively speaking, the age of the old man, the possibility of the heroine committing atrocities after fainting, and more importantly, the fact that the old man first said that he did not enter the bathroom was false, but since then He apologized to the hostess. In fact, the apology came from the fact that he entered the bathroom and wanted to commit atrocities, which caused the hostess harm. What happened in the bathroom, I think it was the old man who forcibly entered the bathroom because of temptation and wanted to Carrying out atrocities, fighting with the heroine, the heroine suffered a head injury and fainted. The old man was frightened and left money to express his apology. Hearing the voice of the neighbors, it was too late to take the others and run away in a panic.
4. The name of the film is Salesman, the death of a salesman in a play. The three plays just correspond to the main plot, but the reason for this design may be caused by specific political and historical factors. I also think that this is actually a play within a play. There can be other better options.
2018.0805
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