The joy and enthusiasm of "Fanny and Alexander" are a kind of ancient and warm-hearted qualities, which have a slow release effect of happiness and joy on the modern coldness, but the dark side of the large section in the middle of the film, its anguish and horror are completely ancient organisms It's a Shakespeare-style cliché stepfather, hypocritical and violent Gothic castle and its leaky attic, and its ascetic, ugly old maids, a courageous mother, witty and witty Judaism old urchin... Filmed in 1982 The 1910 film if you're not a surrealist or a historical drama director then you're more likely to be nostalgic and expect to relive the splendor and beauty of the past The last hour of the film is about will and soul The end of the treasure of origin is not modern, but the end often transcends the great limitation of modernity and goes straight to a cross-section in the vast and vast history of human life. The place that survived can only be described as majestic. Past Thing Bergman makes no secret of his homosexuality on the show. He sends Isma as a messenger of sex and apocalypse to bring liberation to Alexander. Bergman is everyone on the show. Of course, Alexander is his vicious bishop. The stepfather is the over-indulgent Gustapha who always wears a cute navy hat and always brings joy to the audience and is the lame and compassionate good guy Casoscar is also the Carl who yearns for pity and hates the vulgar and finally Gustafa is in The toasts at the birthday banquet of the two children are not only a reflection of the human family symbolized by the Aikoda family in the face of history, but also an oath that human beings, as a kind of life, are connected with the joy of human desires - Destiny is hard Violating Gusta law, the representative of human's prosperous sexual desire, after speaking, picked up the infant child, kissed the prophecy, swore and immersed in the great joy of new life, and said the most affectionate confession to human beings I have ever seen...
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