The first shot of the film has even begun to confuse the general audience. Since it is the self-report of the younger brother of the two siblings, why is the voice-over a female voice? The director threw out suspense and led us away, and soon we found out, oh, it turns out that the younger brother is deaf (played by Shin Ha Kyun), this is a letter to the radio station. The lens itself has a strong sense of design. The downward movement of the lens seems to submerge the beautiful picture of sister and brother looking into the distance in the water. Beautiful in itself. It can be explained that all these will disappear and disappear by water, and it also indicates the fate of sister and brother dying in water. He also drew the crayon drawing of this scene with his younger brother who studied art, and also pulled out the picture of the crime scene. The scenes are connected in series to form a closure.
When showing how the deaf-mute man came into contact with the black market organ group, he showed the cold humor of female cleaners who routinely entered the men's toilet, and then turned around after removing the small advertisement, which is a common phenomenon in our East Asia, which is quite interesting. Next are some routine operations for character characterization and plot promotion, which will be skipped. Just to say one thing, this is the difference between a good movie and an ordinary movie. The latter will write a lot of Rory's wordy lines in order to express and promote the plot, but the former will not. You can see the hard work of showing the work content of the deaf-mute man, and the bad part of the environment is finished. When he was fired, he was given a slightly upside-down shot, with a close-up of the pen, hand, and drawing. In this era, the little people are at the mercy of others, and class suppression is on the verge of coming out. The sense of oppression is extremely strong, and there is no nonsense at all.
In the 26th minute, President Park (played by Song Kanghao) never gave a positive face after his appearance. Until the sudden stop, and then gave an upside-down, upside-down shot, the frame selects the person who got off the car and the blue sky behind it. This is the first official shot of President Park (Song Kanghao). It's important to have the main characters come out in an engaging way, and this shot is fresh and interesting. But if the movie is fresh and fresh, and gives some unusual shots, it will be very abrupt, destroying the overall texture of the movie and even interrupting the immersive experience and rhythm. Movies are the restoration of material reality, and they must be logically smooth. So how is it explained here? Oh, we soon found out that there was an employee making trouble under the car, and here is his subjective shot.
47 minutes and 37 seconds, starting from the editing of the poke method, the design of the whole paragraph is really wonderful. From Shen Hejun's successful kidnapping and frolicking, to leaving with his sister's body in his arms. The emotional reactions of the characters, the cartoon reflections in live and on TV, the change in the direction of the story, the mastery of the beat...it's amazing. If you want to hit hard, you have to lift high first. Created such a warm moment, the picture just started to lose its strength, pop! In a new beat, the little girl took out a letter and went to the ambient sound when reading the letter. The content will make you feel cold all over! Gee.
The 55-minute scene of identifying a corpse by the lake is even more famous and unconventional. The big panorama explained the environment, and then only gave 53 frames of Song Kanghao who passed by and cried while holding his daughter's body. Cut back immediately.
This method not only avoids the so-called high-light moments of the so-called actors performing their acting skills in the common cliché drama "Fuck, everyone, attention, I'm about to start", accompanied by the sensational music, and the so-called "I-- ——Er——Yeah~~~”, which also prevents the audience from being overly empathetic at this moment, otherwise it will not be conducive to the expression of the following themes. then,
Large depth of field + picture-in-frame composition to explain the plot. At this moment, Song Kanghao's voice has become very hoarse, and the pain of losing his daughter is clearer, leading the audience's reaction.
65 minutes, a very beautiful surreal scene, the drowning daughter seems to come out of the photo and hugs the father who has been living without love. And the floor of the house is really getting wet. I found that some viewers were very entangled, his daughter was dead, these were just his painful imaginations, how could the floor really get wet.
Fundamentalists can't make spiritual films because their thinking is too rigid. An analogy to politics is Wang Ming's dogmatism. Thus, at certain moments, the hand of God separates the craftsman from the genius.
79 minutes start with a very nice cross montage. Smooth, fast and informative. The director made a strong show. So far, we fully know the complete direction of the four-character title of "I Want Revenge": Song Kanghao took revenge on Shen Hajun because of the girl, and Shen Hajun took revenge on the black market gang. Their purpose is to:
In the end, the match ended with a perfect match clip of Song Kangho throwing a ball and Shin Ha Kyun swinging the bat, which fits perfectly.
In addition to such a wonderful lens design,
The design of the play also fully maintains the suspense of crime films. The design of the story is full of suspense. It is either an unexpected trigger event or a new content quietly happening in the depths of the scene during the story, which echoes and makes sense.
In terms of ideology, except for a small amount of social expressions that the people at the bottom resort to resorting to nowhere to lead to criminal incidents under the environment and economic downturn (strictly speaking, private enterprises and capitalists have laid off employees and compensated according to the contract, is it wrong? It seems that you can’t say anything)
It's more of a personal expression of the director's thinking.
Under the East Asian civilization of Confucianism, there is a simple concept of revenge of "killing one's life to repay one's debts and debts". The theme of revenge itself is passable at the level of worldview. Just in the process of revenge, apart from not respecting the law and waiting for law enforcement agencies to deal with this old-fashioned problem, are there any moral deficiencies, such as excessive deaths and injuries to innocent people? The death scene of the delivery boy reveals the important thinking of this film. In addition, when one party lynches the other party, since the measure is entirely up to oneself, once the excess is over, it will inevitably be counterattacked by the other party, coupled with the unexpected third party such as the takeaway brother, who will repeatedly attack and kill. Moreover, the focus of this film is that once revenge is resorted to violence, the bloody pleasure will stimulate people's animality, which is Freud's concept of "id" according to Western psychology. This is the consistent preference of Park Chan-wook, a great director from a philosophy department (and the reason why he is so accepted by the Western judging system). For example, in this film, Shin Ha-kyun eats the kidneys of his enemies raw, and Choi Min-sik, who ended his captivity in "Old Boy", eats it raw. The big octopus, etc. are all concrete manifestations of the concentrated release of this primitive impulse after being suppressed.
Are all those who study philosophy heavy? I didn't know there were so many cult elements in Park Chan-wook's personal style. Kidney cutting, bloody dolls, drowning a little girl's face, cutting hamstrings, etc., and even a little bit of child molestation and incest, when watching the movie really caused me great physical discomfort. It's more scary to me than watching a horror movie Plasma. Kinda disgusting really, and I'm sure he definitely has. After watching "Miss", you will know that the film not only squeezes the physical expression of women, but also steps on the moral commanding heights of feminist liberation and feminist confrontation. well done.
There is also a section about an old factory employee who threatens to commit suicide. There is the director's dark humor. Is it satire? I don't think he is necessary for such a poor man. After shouting impassively, he couldn't take out the knife. It turned out to be in his jacket. When he turned it over, he was hit on the head by a balloon that came from nowhere. Don't know why it's handled this way.
The last group of Anarchist Liberty Alliance, they are looking for too much temperament of people on the fringes of society! Haha, all of a sudden it's cold-blooded, ignorant of life, and cowardly with a little communication barrier. Pretty! However, if this section is arranged, if the film itself is meant to satirize the liberal leftist represented by Pei Doona, it would be very contradictory.
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