I haven't seen the previous work, so I'm just going to explain this one. The amount of information in the film is very large, and the main creator wants to express more deep-level things, ranging from the metaphor of feminism to the mapping of political activities. If someone just pays attention to the plot, they may find the film to be lengthy, like me.
In my opinion, the plot is actually not complicated. It is a story of a girl with an amazing background who lurks in the witch's camp and finally uses her identity as a true god to execute the witches who pretended to be her name. In addition to the subtle foreshadowing, the most impressive thing in the film is the cruel aesthetics that is very personal.
The interspersed dance is the more brilliant feature of this film. This dance style, which is completely detached from classical and modern dance, not only gives people a sense of freshness, but also infuses a sense of power that is different from the female endowment. It is a violation of itself to let weak girls dance this kind of power dance. However, the performances of the actresses controlled the strength and femininity in a very harmonious way. The overall performance was quite amazing. The bold movements at the end, as well as the impactful dance scenes, showed a sense of madness similar to a cult.
The identity of the heroine actually has a lot of foreshadowing. The burial of the foreshadowing is actually quite ingenious, including but not limited to, he came to Germany to dance from the United States, and he entered the coven wholeheartedly. When he saw some abnormal phenomena, he did not panic, but silently endured it. . . All this makes people not feel surprised after the final mystery is solved, but there is a sense of pleasure in opening the mystery.
The same pleasure also comes from the last heroine's massacre of a group of cult witches. Really cool.
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