Damei's acting skills have improved, it's worth watching

Deontae 2022-03-30 09:01:05

If you want me to watch horror movies, if I am as timid as I am, I will definitely refuse.

Not to mention a remake. The original was released in 1977 and has been hailed as one of the top ten best horror films. Want to go beyond? Difficult.

But I still watched it late at night, and I didn't expect it to be delicious.

If the original version is a textbook and a master of structure, then the new version is a burst visual department and an expert in lyricism.

In the full set of witches and witches, it is very interesting that the pure people have to die. From the helpless Susie (played by the heroine of Fifty Shades of Grey), to Mrs. Blanc (played by Tilda, the acting goddess), who is in control of everything, to Mrs. Markos, who has been shrouded in darkness, no one is innocent.

At the end of the film, the religious ceremony (modern dance) for nearly half an hour, with a large area of ​​intense red (clothing and blood), pushed the plot to a climax. The humblest and most "sublime" characters instantly form an astonishing reversal. It turned out that the most authoritative Markos actually lied to himself as the goddess of sighs, and the real goddess of sighs was Susie who was about to dedicate herself at the ceremony. Only because she was not completely awakened, there was a plot of persecution and persecution.

The plot is located in Berlin around 1977, which is also a special period of the German Autumn. Political repression and the budding (or outbreak) of feminism all lay the foreshadowing and echoes of semantic puns in the film.

It is said that the overseas box office of this film is a mess, and the word of mouth is polarized. Those who don't like it say WTF, and those who like it worship it as the top ten new horror movies.

There is no end to the film, whichever is heavier. In an era when high-quality literary films are in short supply, the act of paying homage to art is itself worthy of admiration. On the other hand, this film is remarkable in terms of visual design and plot redevelopment.

Well, I think it is very beautiful and enjoyable.

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Extended Reading
  • Jovanny 2022-03-23 09:02:25

    It is said that it is an adaptation, and the scope of the adaptation is quite large. Basically, a new story is told with the help of the shell of the original film. Now that a new story is told, there are naturally new themes, political metaphors, feminist ideas, and religious colors all displayed in the plot. Although there is no extensive use of color to show fear like the original work, the audio-visual language of this work is still brilliant. Especially the soundtrack adds a lot to the film. The most outstanding part of the movie may be a few dance scenes, which are crazy and have a sense of ritual. PS: The viewing process is likely to cause physical discomfort.

  • Herminio 2022-03-21 09:02:24

    Looking forward to Tom Demon's soundtrack debut // Audacious, daring, it's art! Wir brauchen Schulden und Scham aber nicht deine. Thom Yorke rules! A West Berlin myth. The little German brother was trembling by my hand and didn't dare to watch the dance. (Writing the draft and adding two sentences. The soundtracks of many other films in the past two days have deeply touched me, why the film industry's understanding of classical music was still more than a hundred years ago, and why the axe and aesthetics of popular music are not aggressive, many It seems difficult for people to understand what kind of music can be made by computers. I am afraid that other musicians would not dare to sing for this song, but TY dares, which is completely consistent with his concept of solo and exhibition in recent years. Evolving

Suspiria quotes

  • Susie Bannion: For whom were you anointed? Which of the Three Mothers?

    Helena Markos: [panicked] Mother... Mother Suspiriorum!

    [Death approaches and strokes Mother Markos's face]

    Susie Bannion: I am She.

  • Susie Bannion: Why is everyone so ready to think the worst is over?