The fusion of tradition and visual effects, this Indian epic has achieved the ultimate

Demetrius 2022-03-27 09:01:09

The second and second episodes of the epic blockbuster "Baahubali" bear a lot of halo, leaving a deep impression in the history of Indian cinema. Record-breaking budget and returns, two box office champions, praised by the Indian film industry, IMAX 2D shooting, India's first 4K HD Telugu film, spending 400 million yuan for special effects, gorgeous palaces, costumes and wars The scene, the two episodes add up to a 5-hour tome... Audiences who haven't seen the film may have expectations for the modernity of the film. The box office, visual effects and other label gimmicks are very shiny, it sounds like Talk about a work that catches up with the trend of today's blockbuster visual effects.

After looking at it, it is not entirely true. "Baahubali" pursues the most advanced and gorgeous look and feel in terms of visual effects, pictures and art, and what it serves is a story with a very classical core.

The story of Baahubali continues in the tradition of classical theatre. The characters are from a royal family, and the relationship is simple and clear. Good and evil are clearly defined, emphasizing the traditional idea of ​​being loyal to the monarch, serving the country and loving the people like sons, poetic dialogues, and the plot design revolves around classic routines such as deception, suspicion, betrayal, and revenge. as the ending. In the process of watching the film, you can fully enjoy the very entertaining scene that 400 million yuan smashed. After watching the film, you can peel off the screen and then recall the plot to better appreciate the power of this classic story, the ups and downs of the relationship between characters and the development of the plot. ups and downs.

India is a country with a prosperous ancient civilization. The ancient Indian Sanskrit epics "Mahabharata" and "Ramayana" focus on the rivalry of the royal family and the return of the exiled royal family for revenge. Part of the character relationships in Baahubali are drawn from these two Sanskrit classics. Shakespeare, who was deeply influenced by classicism, also often described the joys and sorrows of the royal family in his works. In the above-mentioned Indian and foreign works familiar to the audience, you can find a similar story design as "Baahubali", which is the successor of classicism.

Another interesting arrangement of this film is the plot structure of the first and last episodes. The next episode tells how the old Baahubali was demoted from the prince to a commoner and finally killed. The queen mother rescued her desperately and was brought up by her adoptive parents. After she rescued her mother, she was told that she was the son of the murdered king. The next episode is a postquel to the previous episode in form, and the content is a flashback to the story that happened before the beginning of the previous episode, which is essentially a prequel to the previous episode. This arrangement allows the two stories to be relatively independent on the premise of maintaining sufficient suspense and drama. There is not much difference in which one to watch first between the next two episodes. Together, you can see a larger story background. .

The scenes of "Baahubali" are very big, and the director has racked his brains to make all kinds of unrestrained scene designs. In order to make these designs look good, we have spent all our money and made beautiful pictures. The next episode is very well-made from the beginning of the film. Stop-motion 3D animation scene, do a good job for the audience. The movie looks very different from the blockbusters that we have seen more often. The protagonists Baahubali and his son are portrayed as invincible heroes. The advancement of the story relies heavily on battlefield fighting and singing and dancing scenes. The boundary between the gods is not clear, and the epic plot as the main line of the story has a strong mythological color.

This has a lot to do with Indian values, viewing habits, and even religious beliefs. King Baahubali is the incarnation of Lord Shiva for the Indian audience. In the last episode, the little Baahubali is so powerful that he lifts up the statue symbolizing Lord Shiva. This plot directly expresses the two between him and Lord Shiva. One-piece character design. "Baahubali" caters to the Indian audience's longing for the gods and the blessings they can pray for, and similar to "Wrestle!" The films of "Dad" and "Mysterious Superstar" are different from the international market tastes in terms of ideas and forms. "Baahubali" is a film that maximizes the traditional consciousness of Indian society.

View more about Baahubali 2: The Conclusion reviews

Extended Reading
  • Madisyn 2022-03-26 09:01:07

    I can't describe in words the sense of refreshment I enjoy when watching "Baahubali", and I can't understand the deep shock of my imagination when I see those exaggerated pictures that break through the principles of physics. The declaration of love in the righteous and righteous words and the way of giving sugar to the wife and madman have never been seen before. In the end, I cried and trembled when I saw the whole people worship and shout long live Baahubali. Alternative experience.

  • Ismael 2022-03-23 09:02:07

    Much better than the first one, praise, praise, praise~~~~~~

Baahubali 2: The Conclusion quotes

  • Bijjaladeva: Bhalla, have you ever considered killing your mother? I did. When, upon his birth, she shared with him the affection only you were entitled to, for the first time I thought of killing her. Shares in wealth, glory, and even rights! When she was giving him half of everything, I felt like killing her! And now, when the throne is being passed on to him, I feel like crushing her throat with these very hands. So Bhalla, should we kill her?

  • Bijjaladeva: What is it, you dog?

    Kattappa: My Lord.

    Kattappa: What have you come to bark about?

    [his men laugh]

    Kattappa: Baahubali's coronation will take place on the upcoming Vijaya Dashami. Queen Mother's orders were to give this news to you first.

    Bijjaladeva: [Bijjaladeva angrily throws his glass away] This is exactly what happened on that day as well! My throne was given to my younger brother, and now, my son's throne is being given to that very brother's son. My son, my son's son, and his sons, will we just remain slaves? Tell me, you dog, why wasn't I made king?

    [He yanks away the cloth draped around him, revealing his damaged arm]

    Bijjaladeva: Because I am handicapped? So what if one arm is disabled, is this iron fist not enough to rule our kingdom?

    [he turns and punches a pillar with his good arm, breaking a huge chunk off of it]

    Kattappa: You weren't rejected kingship because of your disabled arm my lord, but because of your handicapped brain.

    Setu Patti: [angrily pulls out his sword] Your orders, my lord!

    Bijjaladeva: You dog! Have you forgotten that anyone who speaks ill about the royal family gets his tongue cut off!

    Kattappa: Forgive me, but a person who thinks of killing his own wife, what is his brain but handicapped?

    Bijjaladeva: [backs away, shocked] You overheard?

    Kattappa: No my lord. Since I am after all a dog, I was able to smell it!

    [bows and walks away]