Since the birth of Kanudu's "Seventh Art Manifesto", film has gradually become inseparable from the attributes of "art" and people's aesthetic functions, although film theorists in the early days of black and white films needed to separate the image from reality. The method is to prove that film is an art, but there is an agreement between color art and video technology, and by the advent of the "Blue White Red" trilogy, there has been a superb tacit understanding between the two. "Red", as it is called in Chinese. It is the color of visible light with the longest wavelength, the color of our blood, the primary color of life, and the human senses can feel the existence of heat from it. It is endowed with almost all symbolic functions corresponding to people's cognition of the extreme attributes of emotion - blood, violence, passion, ardent love, erotic impulse, the instinct of survival at the perceptual level - the one in human nature that is farthest from reason part. Represents "fraternity" in the "Blue, White and Red" trilogy. Like a person's willingness to lend a helping hand to an unrelated being, that behavior already has a "philanthropic" quality, a personality trait that is more likely to be released by a person who is pure and still willing to believe in good existence. The world is accustomed to judging enthusiasm or fraternity as "infant", as if an innocent person would waste his time and feelings for unrelated things, just as only a first love would be so fiery to reveal it to another person. , without any return, when people pointed to the man and said: "It's stupid", and he didn't feel the "red" spirit that contained the power of redemption at all. What is the opposite of love, is it hate? Hate is just another way of expressing love. The opposite of love is numbness, just like Joseph, who was trapped in a gray cage because he couldn't see through the world because of love. What made the old judge's enthusiasm for life diminished by the betrayal of fate? People are destined to communicate by words. There are too many facts on both sides of love that cannot be explained clearly by words. Just like the wrong telephone line, winding, winding, the meaning has already changed, and it is more terrifying than this. It is the language center of human beings. No one can always be on the same channel as another person forever. If there are too many misunderstandings, we only believe in misunderstandings. All words are lies, only silence is the truth, and there is only life left. Deadly numb. It's just that at dusk, a late red glow appeared on the horizon, intertwining with him across the window, which was the reward of fate. Just as he talked about the moment when the sailor was acquitted, the newly replaced light bulb came on, and the line between fraternity and law was blurred... The language of vision always has more impact than words. In a sense, the young judges August and Joseph bore the same symbol of destiny, and even August was more like a microcosm of Joseph's destiny. He lived alive around Joseph, as if Joseph's fate is the same as the interpreter in the image, the real space, the unified time, there is a kind of realism ambiguity in it, and Auguste lost the dog when his love was broken and finally brought it aboard again, right. Between the wrong thoughts, he still has the right to choose his own destiny and the right to self-redemption. Sitting in the auditorium after the end of the exhibition hall, Joseph repeated a dream about consummation—the fifty-year-old Valentine was smiling at a twenty-year-old boy, just at this moment. How many years did the subconscious about Consummation last in his heart along with the flow of life? Why wait until fifty when something can be done at twenty? This is a cycle of fate, in the symbolic realm of the law, nothing is perfect, everything is optional, and everything is selected. Fate is a judgmental truth structure, which teaches people to see through the inevitability of tragedy and then gives them the ability to learn to redeem themselves. Li Er founded Daoism, but Dao attributes Li Er as a preacher sent by God to the world. This is a kind of reverence for the unknown destiny and the unfinished truth. Perhaps the essence of life is still pessimism. It's meaningless and has no answer, but..."Red" is also the color that nature gives humans to use. Nature has taught people to create art, people's suppressed instincts related to emotions and desires, art wishes Willing to pay. "Red" is like this, everything is destined, life and death, gain and loss, hope and disappointment... But it endows people with the wisdom of love, dialectical wisdom, and the wisdom of cause and effect. Activity achieves self-breakthrough, just like Kieslowski must return to Poland, maybe he really heard some kind of call. God allows the camera to use his perspective to make the audience see facts that cannot be explained in words.
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