The final reversal was a surprise, and it was a good writing by the screenwriter. Chinese screenwriters definitely didn’t do this. It’s not that Chinese screenwriters are not talented, but that the protagonists of Chinese films have the power to change the script. I can change the script if I want. Anyway, I won’t shoot if I don’t change it. My cinema line won't be on.
The whole play is very compact, interlocking, and the editing is sharp, and Chinese movies are now lacking good editing.
The filming is in place, and the whole story is oppressive.
But there are still some questions, such as why does the villain want to let his girlfriend sleep with the decent protagonist? Just to leave a phone call? Such an awesome person likes wearing a cuckold so much? Want to know if the hero's life is good or not, from the marksmanship to that special marksmanship?
How many casualties of the poor will be caused by such a fierce gunfight with heavy weapons on the road in traffic jams? Are American police so cruel? So brave? One by one put life and death aside. Maybe it is, Americans have experienced school shootings since they were children, and experienced square massacres when they watched square concerts, so they are used to it.
The biggest bug is that the black fat guy is stealing money from the bank, not robbing it. Why would he get involved with a bunch of heavily armed veterans? It's totally unnecessary. By the way, it is necessary to kill these special forces with backhands, make money again, and use the hands of the police to kill the bad guys
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