It can win the Palme d'Or even if it is not finished. "You were never here" is a great movie!

Dillon 2022-03-26 09:01:07

"You've Never Been Here" was placed in the main competition at the Cannes Film Festival even when it was not finished, and it won two awards for Best Screenplay and Best Actor. This film created a precedent for unfinished films to win awards. It can be seen that the film is doomed to success or failure during the shooting process.

Maybe we have all seen the famous European movie "This Killer Is Not Too Cold", in which the love between the uncle and Loli makes us onlookers feel the same way. And "You've Never Been Here" also uses a combination of uncle and loli, but it shoots a completely different image style.

Violence and bloodshed are one of the most important features of "You've Never Been Here". The male protagonist is a retired soldier who has been suffering from traumatic stress disorder. Coupled with the fact that he often witnessed his mother's domestic violence by his father when he was a child, it also established a thrilling and bloody tone for the film.

The male protagonist Joe has been living as a killer since his retirement, and it was not until he received the task of "rescue the kidnapped girl" that he became involved in the whirlpool of conspiracy. This film is completely incomparable to "This Killer Is Not Too Cold" in terms of narrative rhythm, but some details are worth pondering.

1. The meaning of the reciprocal numbers throughout the film. When Joe's mother suffered domestic violence, she would put Joe in the closet to prevent him from seeing domestic violence scenes. The countdown was a reminder to him that it was over, and Joe continued the habit when he was confused later.

2. Joe has a tendency to self-mutilate, and often covers his head with a plastic bag to get a moment of peace. This has something to do with his childhood shadows and his encounters on the battlefield.

3. At the end of the film, in Joe's imagination, people in the restaurant still go their separate ways after committing suicide, and they don't care about Joe's life or death. This also echoes the title of "You've Never Been Here". No matter life or death, it doesn't matter much in the eyes of others. I really want you to be never here.

When his childhood mother suffered domestic violence, he failed to stop her; when her mother was invaded by a murderer, he still failed to save her; when he rescued little Loli, he found that Lolita had already killed her enemy. Joe couldn't stop anything from happening, as if he had never been here.

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Extended Reading
  • Mabelle 2022-03-25 09:01:10

    1. A very audio-visual and emotionally immersive anti-genre film with one of the most beautiful and meaningful titles I've ever heard. 2. Techniques that perfectly fit with self-splitting and psychological trauma: montages of partial close-ups (amazing titles or even lack of setting shots), incoherent editing and bizarre camera positions, separation of sound and picture, all violent scenes left blank, A sudden flashback. 3. Counting down by yourself is like a ceremony that is briefly separated. 4. The killer who always wants to commit suicide, the heavy breathing with a plastic bag on his head, the funeral underwater, and humming old songs with the dying enemy. 5. The mixing is excellent, sometimes amplifying the ambient sound, sometimes creating an expressive sound effect, which, together with Greenwood's soundtrack, reflects the mood and emotion of the protagonist. And "Angel Baby" in the governor's bedroom intensifies the irony and evokes a sense of isolation and piercing sentimentality. 6. Intertext between [Psycho] and [taxi driver]. 7. The surreal fantasy at the end so cruel and abrupt vs the vision of "today is a good day", like a warm sun shining into a gloomy and grim world. (9.0/10)

  • Ebony 2022-04-21 09:02:27

    The psychedelic version of "Taxi Driver" is an avant-garde experiment in audio-visual techniques, and the plot and characters are set against the genre. The 90-minute film is not enjoyable at all. The director has a great taste in music and a unique perspective. Shooting a mother-son relationship makes people shudder, but shooting a brutal killer is romantic and warm. It's better to use less flashbacks. When I saw this in "What Happened to Kevin", I was cut off by the flashbacks.

You Were Never Really Here quotes

  • Nina: Joe, wake up. It's a beautiful day.

  • Joe's Mother: Where you spend your time? What do you do?