If you don't know yet, read this

Maud 2021-11-15 08:01:26

The core mystery of the eighteenth episode of Twin Peaks is actually hidden in this chaotic and fascinating thriller; the indistinguishable tense and subject are indeed created deliberately, but by no means design puzzles and weaving The clues are constructed in a way that is quite intuitive. This mysticism itself is a subversion of the suspense film tradition; instead of treating Lynch’s work as a psychoanalytic mystery, it is better to say that he is committed to creating a kind of "unpredictable". The film of "Suppose": whether the image is true or illusion is not the key, but "image-being" (Being) is the key point-but the "pure is" without presupposition also turns into "pure nothing" at the same time. There is a dilemma between faith and suspicion. The non-compliant audio-visual language has aggravated the confusing effect, guiding the audience to focus on "seeing" rather than "seeing". In addition to the firelight, red curtain and Doppelgänger elements, the book The amazing part of the film is that reaction is used instead of action throughout the story. Horror or doubt is always conveyed by the character's reaction lens; the so-called "subjective narrative" is an inaccurate concept-because if there is no outside, how can there be an inside?

Christop 2022-03-27 09:01:05

Very Lynch is very wonderful, it is a film that makes people feel that the narrative of the film has infinite possibilities, and it is very neat. When it’s real, it’s either an upside down shot or an upside down shot. The first shot of the switching mode is switched from upside down to head up; The tension of the story is from the first second to the last, the camera is slow but the pace is fast.