The script is too bad, let me blow the acting skills of Higgins

Nicolette 2022-03-27 09:01:06

When I watched it, I was full of blood, and I wanted to write an afterthought to blow up the acting skills of Shiver Sen! But at the end, my IQ and enthusiasm cooled down, my mind went blank, and I couldn't even remember the name of the male protagonist played by Dousen...

Me: It seems to be called Pu... Sharp? ?

Clip total: Philips? ? ?

Me: Sharp, right? But isn't Sharp a color TV?

So forget the purpose at the beginning, let's analyze the relationship between the male and female protagonists in a rough way (this turn is a bit far...

At the beginning of the movie, the male protagonist makes his debut in the dialog box, then looks handsome on the audience, and then uses the tricks that straight men can't get: I will first praise your hobbies, be close to your heart, and then follow you. Create a common language, ask you out, praise you, agree with you, but keep a proper distance from you, and finally leave you, let yourself catch up, and get what you want.

Singles, hurry up and take notes and study! ! !

But things didn't go well. The dream start of the sister and brother was seen through by the father at a glance, and his anger was unbearable, and he inserted FLAG (no). This hand played three birds with one stone very well: ① Pushing the boat with the boat announced that he was going to leave, then the father’s life and death had nothing to do with them; ② Write a letter to tell the heroine that he was forced to win sympathy and shirk responsibility; ③ Kidnapped and moved The heroine, cheating money and sex.

So the story officially entered the stage of the British map. As the leaky old house came into view, the true colors of the sister and brother were gradually revealed. At this point, my understanding of him is roughly equivalent to an external Loki, a little liar who will do anything to achieve his goals, and a downright cold-blooded little bastard. Even if IQ and beauty coexist, scheming and ruthlessness go hand in hand, and even if I have a beautiful face, I will... I will probably forgive him and be led away willingly? (Why is it different from what I said...

So the next plot made me look forward to seeing how the heroine was pitted to the bottom, and the Jedi turned around.

The expected plot didn't come...

The screen follows the heroine into the male protagonist's laboratory. Under the camera, they chat about common topics and look at the interesting design. The male protagonist's eyes begin to shine. It's like opening a long dusty jewelry box, pushing away the dust covering the surface, revealing the transparent rough stone inside. The subsequent kiss scene was warm and passionate, stripped of the male protagonist's elegant and decent personality, as if a real soul emerged from his body, leading his every move.

I suddenly felt that I had misunderstood.

Maybe he's just a superficial jerk, maybe his love for the heroine is real.

So I tried to look back and think about the previous plot, recalling the eyes of the male protagonist looking at the female protagonist. There are not only pretended gentlemen and compliments, but also curiosity, doubt, exploration and recognition. True love is like a huge monster hidden under the ice, silently lurking at the bottom of the water, only revealing a little elusive shadow in Shiver Sen's pupils.

I remember my sister asking him: Why did he change his target temporarily? If it wasn't for the good impression of the heroine herself, it would be the same for him. There is no need to knock on the door of the heroine on a rainy night, and there is no need to be rejected by the heroine. After dancing, he firmly said: What I invite is you. There is no need to show such an expression when the heroine's father asks him to leave. If it's just for money, he can pretend to be obedient, take the money and leave, looking for the next target (the original one is quite suitable).

That's why tears flashed when he deliberately angered the heroine on request. The things he said against his heart were not just his performances. His life experience destined him to always be at the top of the game, well-dressed and easy to handle. Those remarks were probably a dagger that had only been tasted and stopped. While stabbing the other party, it also pierced himself, and tears were pierced. He began to have a real experience of everything he said about love, and was caught off guard, breaking the mask of hypocrisy for a long time. Of course, I don't think this is all his true feelings. A fragile thing like true love is like gold wrapped under the gorgeous skin, and it is enough to accidentally leak a little when it is pierced.

Carefully observe that when he accompanies the heroine to the autopsy, he looks at the corpse, there is hatred of fate and forced submission, and there is spectator and helplessness to the drama life (so the fan filter is terrible), but there is nothing wrong with it. The satisfaction of getting what you want, and the comfort of being in control.

So I have reason to believe that the kiss scene in the studio is real and unpretentious, the joy of finally holding the things I hold dear and the normal play of wanting to explore further. At this moment, he truly recognized the existence of the heroine, took off his disguise, welcomed her arrival with his true self, and hoped that the other party would live on in his own life.

So the moment the elder sister brought the black tea, the male protagonist showed unconcealed sharp eyes. Then he was forcibly put on the cloak of hypocrisy, shrouded in a fate that he could not escape. He gave in.

The sister was the noose around his neck, reminding him of the blood-stained reality all the time, and the two could only occasionally steal a night of fun when they escaped her grasp. The night at the post office is the heyday of the male protagonist's true self. If he can grow up normally, he will probably become such a warm, friendly, intelligent and beautiful young man, right? It's a pity that the movie doesn't act like this. The more beautiful things are, the more illusory they are, the more vulnerable they are. Fate (dao) luck (yan) will never let go of every male protagonist who is bitter and hated, so the relationship between the two After reaching the extreme, what followed was the cruel truth and bloody killing...

Until then, we can bite the handkerchief on the fraud poster and cycle back and forth on Shiver Sen's white and tender ass (no...

Regarding the relationship between the siblings, I once suspected that the siblings were actually ghosts, relying on the ring to absorb energy to maintain the body, and the heroine was abducted to the house because the ring sucked her into life and couldn't take care of herself. Later, it was suspected that they were century-old goblins or vampires, who specially cheated on marriage, squeezed the bride dry and buried it underground, so the mine was blood red, and the dog survived because it ate the corpse. (Jia always said that my brain is too big, bigger than the screenwriter's unethical love!

From the time the male protagonist asked his sister for a sticky ring, I suspected that there was something wrong with them. Until they entered the house, there was a long hug, and the male protagonist closed his eyes, I was basically convinced of the fact that they had a leg. (Hurry up and praise jitterson!

This indescribable feeling is the creation of the old abandoned house, and it is destined to decay and sink with it. A deformed childhood, a perverted family, a locked attic, the only warmth. Rather than saying that the siblings lived as earthbound spirits in the old house, it was better to say that they were bound in each other's blood.

But this relationship is not completely equal. My sister treats her brother like her lover, misses him, owns him, controls him, and depends on him. But the younger brother treats his sister more like blood relatives, like a fire that can warm himself, like his only support, and it has become his whole world.

In the episode where the heroine discovered their relationship, she could clearly see that there was only desire, no love, and no approval in the eyes of the hero. He looked up, his expression broken, like this old house swaying under the wind and snow. He is here, he can only be here, he has nowhere to run, he sinks slowly.

It was completely different from the way he looked at the heroine.

He plays his sister's good boy, trusting her, believing in her, and relying on her. They cling to each other like vines, ingesting the nourishment of others to survive.

I remember a time when the male protagonist was alone with his sister, the sister lifted his chin, and he looked back obediently. As far as we can see, the grown-up Shakesom is still the same, but his haunting temperament has suddenly turned into a teenage boy, well-behaved and innocent.

Probably this is what my sister needs, it is his tolerance and consideration, but not his heartfelt desire.

So it's still a love story after all.

It was we who started with deception and finally attracted, I broke free and reborn, I confessed the ugliest truth, I exposed my truest self, I left myself in the past, I opened the story of the future for you. Everything the male protagonist does comes from the past (I did), and although his love for her is finally in the present (I do), it will also be an eternal story.

I really like it, whether it's the tight rhythm, or the retro tones, or the perfect soundtrack and the beauty of the kimono, the scrutinized lines and the rough story, all the darkness and light, all the claiming and giving.

But I have to say that the brains of the screenwriters in the second half of the series fell with the old house, and the tight rhythm suddenly collapsed. After the heroine fell off the third floor, it became a farce, laughing at the audience's IQ all the time... ...As for how she completed the Jedi counterattack in the end, jumping up and down, running past her sister, picking up weapons, daggers against machetes, eating chicken with a shovel... I really don't want to think about it again, let it follow the heavy snow Let's bury them together in the blood-red mine soil.

The expression of Dousen clearly explains the plot and the hidden emotions. There is no need to blow him directly. After I finish writing this article, every word and every sentence comes from his interpretation of the character.

But I finished writing... I still don't know the names of the male and female protagonists.

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Extended Reading

Crimson Peak quotes

  • Edith Cushing: You lied to me!

    Thomas Sharpe: I did.

    Edith Cushing: You poisoned me!

    Thomas Sharpe: I did.

    Edith Cushing: You said you loved me!

    Thomas Sharpe: I do.

  • Ogilvie: A ghost story. Your father didn't tell me it was a ghost story.

    Edith Cushing: Oh it's... it's not. It's more a story with a ghost in it. The ghost is just a metaphor.

    Ogilvie: A metaphor?

    Edith Cushing: For the past.