[Film Review] The Maltese Falcon (1941) 8.4/10

Jamey 2022-03-25 09:01:06

Both the hallmark and harbinger of Film-Noir fad in Hollywood, John Huston's thrilling debut feature THE MALTESE FALCON boasts an intoxicating cadence of rapid-fire dialogue exchange and a hard-boiled Humphrey Bogart in one of his most iconic and alluring roles as San Franciscan shamus sam spade.

The plot is titillatingly instigated by a demure client, who is referred by the name Wonderly (Astor), imploring Sam and his partner Miles Archer (Cowan) to tail a shadowy figure who might know the whereabout of her missing sister. But when Miles is croaked in the line of duty and so is the said figure moments later, Sam has to take it on himself to get the bottom of the skulduggery, while being incriminated as a suspect due to his hanky-panky with Miles' wife Iva (George) .

Ms. Wonderly, whose real name is Brigid O'Shaughnessy, soon pleads with the same damsel-in-distress act to Sam, claims that she has nothing to do with those two murders and still needs his help, yet refuses to come clean with the particulars, not until two other parties come on board, the whole enchilada surfaces, one is a Continental man named Joel Cairo (Lorre), the other is a rotund spiv Kasper Gutman (Greenstreet, a British thespian and celluloid debutant), with his " gunsel” Wilmer (Cook Jr.). They are all spoiling for the titular falcon figure bedecked with priceless jewels, which gives Sam a grand opportunity to earn a commission fee if he can outsmart all the double-crossing, gunpoint duress and tearful supplication in the name of love, en passant, cops the real killer of his business partner.

Employing most off-scene happenstances to verbal delivery saves the film much budget of action fracas, and entrusts its dramatis personae to have a field day, Bogart, from whose viewpoint the plot hinges on, inhabits a deadly cool persona that is piercingly cynical in his life philosophy and fatally indefatigable to plow on, in the meantime, never wastes a chance to kiss a beauty even one is rotten in the soul, but sometimes he slips up in letting down his guard too easily, especially in front of Gutman, whose “there are honors among crooks” miens and plummy elocution veils his lethally deceitful nature and Greenstreet is meritoriously rewarded with an Oscar nomination in his very first movie at the age of 60); and Peter Lorre, by turns courteous, menacing and limp-waisted,creates the most comical moment with his about-face when his pocket pistol is returned at his proposal after being knocked out by Spade in his first attempt.

In the petticoat front, Mary Astor is expert at conveying O'Shaughenessy's cunning duplicity with brilliant timing of evasion, emotional manipulation and unalloyed desperation, and Lee Patrick, in the opposite scale, magnifies Sam's unsung secretary Effie's drinking-the—Kool-Aid alacrity without ever betraying her own agenda, a perfect secretary is like gold dust and she is definitely a keeper.

Visually, Huston's brisk but concise action garnishes the narrative with a transfixing momentum that makes for a gratifyingly compulsive watching, and DP Arthur Edeson impressively flexes his muscles with the stark composition of chiaroscuro that would become the keynote of film noir that reflects the underbelly of human nature and the oscillation of human emotions.

referential entries: John Huston's THE ASPHALT JUNGLE (1950, 7.9/10), Otto Preminger's LAURA (1944, 8.0/10)

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Extended Reading
  • Cielo 2021-12-30 17:20:42

    "If I know that you can't afford to kill me, how can you scare me? Sir, there are other ways to persuade me besides killing and threatening to kill."...The film is both Bogart's personal charm Show is more of Spade's personal character show. In the initial sequence of the mystery, the hard-core private investigator's position is the lowest, and the situation is the most disadvantaged. No matter what degree of secrecy, only he is kept in the dark. but! In the process of revealing the secrets and investigating the crime, he showed the vision, wisdom, strategy and courage that his opponents were far behind. Instantly recognize snakes and scorpions, keep stalking, save and send black birds, persuade and accept the transfer of charges... Step by step, the situation of absolute passiveness will be turned into completely under my control. But what is interesting is that the actor's dual strength in actors and roles has not eclipsed the villain's lineup. The image characteristics and performance of Pietro and the Fat Green Street are enough to play with Bogart and form the three strong points that the audience loves to hear. The golden partner, co-starred in a number of black film masterpieces, including the Bourbon North Africa. The only failure may be that Mary Astor's glamorous value is not enough to persuade the audience that Spade had an inner struggle when she decided to send her to the law.

  • Ayden 2022-04-24 07:01:05

    It is really tiring to read the large dialogue, and the amount of information is still very large, but the characters are indeed pioneering, and it is indeed a landmark work. But any kind of pioneering attempt will be recorded in history, but the initial attempt must also be superficial and loopy, so this film is not perfect.

The Maltese Falcon quotes

  • [to Spade]

    Joel Cairo: No, no. Our private conversations have not been such that I am anxious to continue them. Forgive me for speaking so bluntly, but it is the truth.

  • Sam Spade: You gotta convince me that you know what this is all about, that you aren't just fiddling around hoping it'll all come out right in the end!