At the beginning, the dialogue between the two brings out the big environment. It only depends on the acting skills to bring out the atmosphere. This is a very powerful foundation. The side-by-side hit, the ambulance passing by, the close-up of the letter, and the close-up of the letter appeared many times. The script of "The Escaper" Appearing on the table and telling the story of the dead with a puddle of blood in the toilet, the director must have a poor crew. It is all this way of saving money on the side, the king of ideas, but it seems to be more expected to be full, less money, and better effect But the big problem is the set, which is obviously not the set during World War II... But this kind of set exposure in the contemporary era will cause a sense of dislocation, and there are different opinions. Looking for a writer, the writer dies, gives it away, the person dies, the person who decides his purpose and whereabouts always dies for no reason, and his destiny is decided by the dead. So I picked up a big bargain, and even the name is very similar to "Passenger". Who's the first to forget, was it out, or was it out, I'd love to know a writer's take on this tension, but obviously it could be more dramatic, the set is always the narration of the question, the deaf, making the film textualize with The novelization is extremely obvious, which is also the biggest highlight of the film, as if reading a dynamic novel. We meet people constantly, and there are constantly new stories. Doctors, musicians, and writers are like life. Although it is calm, it is not plain. The so-called stories do not have to be magnificent or thrilling. Just like "Franz", Paula's face seems to be synonymous with "mystery". If it doesn't belong to him, then don't want it. The final choice is to pass the border and abandon the identity that doesn't belong to him. This seems to be possible. I chose the best in the ending. Does not want to break expectations make sense?
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