CC Bergman suit, 8.2 points. Movies are magic, and the director is both a magician and a clown. Since he is a clown, he is destined to wander all his life, send away the old, welcome the new, and continue to embark on our lonely journey in the hustle and bustle. Therefore, the tears of the clown/magician and Nordgren's music, whose pride is worthless, is a real highlight (the composer has clearly made a breakthrough in style), Fisher's photography is a wonderland (especially the one in the woods), and death (after the seventh seal) continues to spread here, pale face The big feature is undoubtedly a dumb magician, Sydow relies on eyes and face to perform, makeup and performance are excellent, Wifstrand is a veritable old drama bone "I make a better ghost than human being", this is the artist's compromise A shameful confession? The magician is humiliated in public, but the revenge of the natural power can be seen immediately. Where is the boundary between reality and magic? The last one-man show of Dr. Vergerus in the attic (strictly speaking, there is also a magician, but Bjornstrand's performance held up the audience) has a strong atmosphere of horror (psychological thriller of sound and picture) When the magician has to mourn in front of reality, bow his head, bend over, And picked up the coin, the rout of the juggling (art) really made people cry bitterly in their hearts When the carriage rides away, only the swaying street lamps are left in the silent picture, squeaking in the distance. sound. Echoing the intention of the wild strawberry, this is the shadow of death at work, right?
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