I can't remember how many times I watched this Wong Kar Wai's debut.
It's just that every time I see Andy's convulsions when he is shot and falls to the ground, I still can't help the heartache.
There are always too many rejections and rejections without lines in Wong Kar Wai's films
maybe a look
maybe a turn
Or maybe a symbolic object
He is cruel, at least in Mong Kok Carmen, he analyzes society like a scalpel, just like the juvenile murder in Guling Street, Yang Dechang and even the United States are desperate
The Wang family has a restless soul, deep-rooted sensationalism, he wants us to be in a poetic black and bloody atmosphere
Physically and mentally a summons, apparently he did it successfully
The pair of men with bones and muscles, Wufei and Andy, achieved what they wanted in the same deadly way - vanity
and escape
This seems to be the irresistible helplessness of their fate
Mong Kok Carmen is green, but it is not a heart-shattering beauty, why it is too accidental, why it is too perfect. . . .
I often recall a scene in the film that was beaten into a seriously injured black fly and told Andy to ignore him and return to China.
Said we never knew what tomorrow was going to be like going to dinner
hopeless self-imposed exile is a metaphor for the end
No one could hold the glass over and over again in the scene of Yidong
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