Inappropriate metaphor: Hirokazu-eda’s film is like a bulldozer, pushing the light narrative to a point, and suddenly it becomes so much/What I like most about the whole film is everyone’s tone, which seems casual but actually restrained. It seems lonely and full of emotional undercurrents, saying those words in a calm tone, really... / Subtle details experience, many details on the night of the typhoon remind me of my grandma / The first time I watched it at home , I ran back to the bedroom and watched TV alone because I was bored during the family gathering. Then my mother came. Later, I fell asleep unknowingly. I thought carefully about all the films that Hirokazu Koreeda watched at home, but only when I was not at home could I appreciate the taste of home from the movies. why? Because the taste of home is natural, and when there is no time to go to the memory, it is more real / The movie talks about "deeper than the sea" to solve my doubts: people's desire to survive is so strong, it is impossible to let people such as Things like love are above life. And everyone says to be happy because people need to be alive. But why, to refuse sadness? why? Seeing that I was living a very sad life, and seeing that I was unhappy, I hurriedly wanted to change this state. You avoid pain, and pain is painful too.
If possible, it is probably the most beautiful thing to be a family member, because there is nothing else to ask for from family members; how can you not joke and laugh at the pain of life? Even if you can't do something, you have to have faith; if you can, it's best to cherish it sometimes.
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